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Scripting Hitchcock: Psycho, The Birds, And Marnie-used
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Scripting Hitchcock Explores The Collaborative Process Between Alfred Hitchcock And The Screenwriters He Hired To Write The Scripts For Three Of His Greatest Films: Psycho, The Birds, And Marnie. Drawing From Extensive Interviews With The Screenwriters And Other Film Technicians Who Worked For Hitchcock, Walter Raubicheck And Walter Srebnick Illustrate How Much Of The Filmmaking Process Took Place Not On The Set Or In Front Of The Camera, But In The Adaptation Of The Sources, The Mutual Creation Of Plot And Characters By The Director And The Writers, And The Various Revisions Of The Written Texts Of The Films.Hitchcock Allowed His Writers A Great Deal Of Creative Freedom, Which Resulted In Dynamic Screenplays That Expanded Traditional Narrative And Defied Earlier Conventions. Critically Examining The Question Of Authorship In Film, Raubicheck And Srebnick Argue That Hitchcock Did Establish Visual And Narrative Priorities For His Writers, But His Role In The Writing Process Was That Of An Editor. While The Writers And Their Contributions Have Generally Been Underappreciated, This Study Reveals That All The Dialogue And Much Of The Narrative Structure Of The Films Were The Work Of Screenwriters Jay Presson Allen, Joseph Stefano, And Evan Hunter. The Writers Also Shaped American Cultural Themes Into Material Specifically For Actors Such As Janet Leigh, Tippi Hedren, And Tony Perkins. This Volume Gives Due Credit To Those Writers Who Gave Narrative Form To Hitchcock'S Filmic Vision.
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- Q: What is the main focus of 'Scripting Hitchcock'? A: 'Scripting Hitchcock' explores the collaborative relationship between Alfred Hitchcock and the screenwriters of his iconic films, including 'Psycho', 'The Birds', and 'Marnie', highlighting the creative process and the contributions of the writers.
- Q: Who are the authors of this book? A: The book is authored by Walter Raubicheck and Walter Srebnick, both of whom delve into Hitchcock's filmmaking process and his interactions with screenwriters.
- Q: What type of binding does this book have? A: 'Scripting Hitchcock' is available in paperback binding, making it a lightweight and portable choice for readers.
- Q: How many pages are in 'Scripting Hitchcock'? A: The book contains 131 pages, providing a concise yet thorough examination of Hitchcock's screenwriting collaborations.
- Q: When was 'Scripting Hitchcock' published? A: 'Scripting Hitchcock' was published on October 1, 2011, and is presented as a first edition.
- Q: What are some key themes discussed in the book? A: Key themes include the creative freedom given to writers by Hitchcock, the collaborative nature of film writing, and the examination of authorship within the context of cinematic storytelling.
- Q: Is this book suitable for film studies students? A: 'Scripting Hitchcock' is an excellent resource for film studies students, as it offers insights into screenwriting, authorship, and the creative processes behind classic films.
- Q: Does the book include interviews with screenwriters? A: Yes, the authors conducted extensive interviews with the screenwriters and film technicians who worked with Hitchcock, providing firsthand accounts of the filmmaking process.
- Q: What makes this book unique compared to other Hitchcock literature? A: Unlike many other works focused solely on Hitchcock as a director, 'Scripting Hitchcock' emphasizes the vital role of screenwriters in shaping the narratives and dialogues of his films.
- Q: Is there any discussion of specific screenwriters in the book? A: Yes, the book discusses contributions from notable screenwriters like Jay Presson Allen, Joseph Stefano, and Evan Hunter, detailing how they influenced Hitchcock's cinematic vision.