Title
Seeing Medieval Art (Rethinking The Middle Ages)
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A Note About The Cover: Evangeliary Of St. Andreas Of Cologne. (Ae 679, Fol. 126V, Hessisches Landesmuseum Darmstadt. Reprinted By Permission). This Eleventhcentury Manuscript Demonstrates A Trend Of The High Middle Ages In Which Transcendental Contemplation Was Initiated By Abstract Means. Here, Thin Washes Of Celestial Colors Elevate The Animal Flesh Itself, The Vellum On Which Words And Pictures Are Elsewhere Inscribed, To Guide The Viewer'S Thoughts From The Physical World Toward (Though Not All The Way To) The Invisible God.How Did Medieval People See Art? How Was It Made, Paid For, And Used? Why Was It Necessary To Social Activities Including Teaching, Civic Processions, And Missionary Work, As Well As To Architecture And Books?With 12 Color Plates And 54 Plates In All, Seeing Medieval Art Looks At Art'S Functions And Traces Many Crucial Developments Including The Development Of Secular Art And Historical Narrative, And The Emergence Of Individual Portraiture.This Is The First Title In A Series Called Rethinking The Middle Ages, Which Is Committed To Reexamining The Middle Ages, Its Themes, Institutions, People, And Events With Short Studies That Will Provoke Discussion Among Students And Medievalists, And Invite Them To Think About The Middle Ages In New And Unusual Ways. The Series Editor, Paul Edward Dutton, Invites Suggestions And Submissions.
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- Q: What is the page count of 'Seeing Medieval Art'? A: This book has two hundred fifty-six pages. It provides a comprehensive exploration of medieval art and its significance.
- Q: What is the binding type of this book? A: The binding type is paperback. This makes it lightweight and suitable for casual reading.
- Q: Who is the author of 'Seeing Medieval Art'? A: The author is Herbert L. Kessler. He is known for his expertise in medieval art and history.
- Q: What size is the book? A: The book measures six inches in length, eight inches in height, and zero point six inches in width. This size makes it portable and easy to handle.
- Q: What category does 'Seeing Medieval Art' belong to? A: It belongs to the Criticism category. This indicates it offers critical insights into art and its historical context.
- Q: How do I use this book in a classroom setting? A: You can use it as a resource for discussions on medieval art. It includes themes and questions that provoke thought among students.
- Q: Is this book suitable for beginners in art history? A: Yes, it is suitable for beginners. The book is designed to provoke discussion and invites readers to engage with the material.
- Q: What is the recommended age group for this book? A: This book is suitable for high school students and adults. It addresses complex themes relevant to medieval studies.
- Q: How do I care for this book? A: Keep it in a dry place away from direct sunlight. Handling it gently will also help maintain its condition over time.
- Q: Can I store this book on a shelf with other books? A: Yes, you can store it on a shelf. Ensure it is upright to prevent damage to its spine.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you can contact the seller for a return or exchange. Most sellers have customer service policies for such issues.
- Q: How do I return 'Seeing Medieval Art' if I need to? A: You can initiate a return process through the seller's website. Make sure to follow their specific return guidelines.
- Q: Is this book part of a series? A: Yes, it is the first title in the series called Rethinking the Middle Ages. This series aims to explore medieval themes in new ways.
- Q: What themes does this book explore? A: It explores themes of transcendental contemplation, secular art, and the role of art in social activities. These themes are crucial for understanding medieval culture.
- Q: Does the book include illustrations? A: Yes, it includes twelve color plates and a total of fifty-four plates. These illustrations enhance the understanding of medieval art.
- Q: Who is the publisher of this book? A: The publisher is the University of Toronto Press, Higher Education Division. They are known for academic publications.