Shakespeare and Chekhov in Production and Reception: Theatrical Events and Their Audiences (Studies Theatre Hist & Culture),Used

Shakespeare and Chekhov in Production and Reception: Theatrical Events and Their Audiences (Studies Theatre Hist & Culture),Used

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Product Description With a focus on the canonical institutions of Shakespeare and Chekhov, John Tulloch brings together for the first time new concepts of "the theatrical event" with live audience analysis. Review "No theatre company today can ignore the importance of reaching and understanding their audiences. Tulloch shows us the way by exploring Shakespeare and Chekhov productions from two interdependent approaches: production study and theatrical event analysis together in their focus on audiences. This book is a must for serious theatre specialists."Jacqueline Martin, coauthor of Understanding Theatre: Performance Analysis in Theory and Practice"Through the concept of the theatrical event, John Tulloch expands radically the frames of cultural studies and vitalizes at the same time both theatre and performance studies. This book marks an important step in shaping a new paradigm for studies of plays, playing, and playing culture."Willmar Sauter, professor of theatre studies, Stockholm University"John Tulloch's new book is really new, indeed. The ways he combines important contemporary theories in theatre and cultural studies on the one hand, and these theories with 'local histories' of theatre production and reception on the other, give new hope for a relevant type of audience research. The scholarly challenge to understand how theatre functions in society and what theatrical experience really means is strongly served by this very complete study."Hans van Maanen, coeditor of Theatrical Systems: Borders, Dynamics, Frames About the Author John Tulloch is research professor in sociology and communications at Brunel University, England. Previously he directed the Centre for Cultural Research into Risk at Charles University, New South Wales, and was professor of media communication at Cardiff University, Wales. He has published extensively in film, television, and theatre research.

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