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The newest addition to the Artists Materials series offers the first technical studyof one of Australias greatest modern painters.Sidney Nolan (19171992) is renowned for an oeuvre ranging from views of Melbournes seaside suburb St. Kilda to an iconic series on outlaw hero Ned Kelly. Working in factories from age fourteen, Nolan began his training spray painting signs on glass, which was followed by a job cutting and painting displays for Fayrefield Hats. Such employment offered him firsthand experience with commercial synthetic paints developed during the 1920s and 1930s.In 1939, having given up his job at Fayrefield in pursuit of an artistic career, Nolan became obsessed with European abstract paintings he saw reproduced in books and magazines. With little regard for the longevity of his work, he began to exploit materials such as boot polish, dyes, secondhand canvas, tissue paper, and old photographs, in addition to commercial and household paints. He continued to embrace new materials after moving to London in 1953. Oilbased Ripolin enamel is known to have been Nolans preferred paint, but this fascinating studycertain to appeal to conservators, conservation scientists, art historians, and general readers with an interest in modern artreveals his equally innovative use of nitrocellulose, alkyds, and other diverse materials.
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birth defects, or other reproductive harm.
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⚠️ California Proposition 65 Warning: Some products sold on this website may expose you to chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm. For more information, visit www.P65Warnings.ca.gov.