Singing in Magnetic Hoofbeat: Essays, Prose Texts, Interviews and a Lecture 19912007,Used

Singing in Magnetic Hoofbeat: Essays, Prose Texts, Interviews and a Lecture 19912007,Used

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Literary Nonfiction. African American Studies. Edited and with an Introduction by Taylor Brady. Afterword by Andrew Joron. One of the most prolific and original figures in the field of contemporary literature, Will Alexander is known worldwide for his arresting explorations of European and Caribbean surrealism, postcolonial history, twentiethcentury philosophy, and contemporary scientific theory. Here, Alexander undertakes nothing less than a redefinition of the essay form itself, opening an "artery of twilight" wherein aesthetic, political, historical, social, cultural, scientific, and theoretical discourses often become indistinguishable elements of a holistic investigation into the compositionor, recompositionof the physical and metaphysical worlds. SINGING IN MAGNETIC HOOFBEAT is an indispensible record of Alexander's thought, and confirms his reputation as one of the foremost exponents of Afrofuturist modernism."In SINGING IN MAGNETIC HOOFBEAT...Alexander praises his influences; analyzes the politics and aesthetics of the long 20th century; reflects on the repressed, but undeniable importance of African cosmological views to the European Renaissance; and articulates the expansive possibilities of what we might callnonexclusivelyan African diasporic surrealism. For a trail guide to the wonders of Alexandrian poetics, read these essays. For fresh evidence that surrealism is alive, not as a 'movement,' but as a freedomoriented, imaginatively unbounded mode of being in the world, read these esssays."Evie Shockley

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Frequently Asked Questions

  • Q: What is the main theme of 'Singing in Magnetic Hoofbeat'? A: The main theme of 'Singing in Magnetic Hoofbeat' revolves around redefining the essay form through a blend of aesthetic, political, historical, and cultural discourses, exploring the intersections of European and Caribbean surrealism.
  • Q: Who is the author of this book? A: The author of 'Singing in Magnetic Hoofbeat' is Will Alexander, an influential figure known for his contributions to contemporary literature and Afro-futurist modernism.
  • Q: What type of book is 'Singing in Magnetic Hoofbeat'? A: 'Singing in Magnetic Hoofbeat' is categorized as Literary Nonfiction and falls under African American Studies, presenting essays, prose texts, interviews, and a lecture.
  • Q: How long is the book? A: 'Singing in Magnetic Hoofbeat' contains a total of 269 pages.
  • Q: When was 'Singing in Magnetic Hoofbeat' published? A: 'Singing in Magnetic Hoofbeat' was published on April 16, 2013.
  • Q: Is 'Singing in Magnetic Hoofbeat' available in other formats? A: The book is currently available in paperback format; other formats may not be listed.
  • Q: What can readers expect from the writing style in this book? A: Readers can expect a unique and innovative writing style that blends various discourses, showcasing Will Alexander's profound insights into surrealism, history, and contemporary thought.
  • Q: Does the book include an introduction or afterword? A: Yes, the book includes an introduction by Taylor Brady and an afterword by Andrew Joron.
  • Q: Is this book suitable for casual readers? A: While 'Singing in Magnetic Hoofbeat' is accessible, it may be particularly appealing to readers interested in literary theory, African American studies, and surrealism.
  • Q: What makes 'Singing in Magnetic Hoofbeat' significant in contemporary literature? A: 'Singing in Magnetic Hoofbeat' is significant for its original exploration of diverse themes and its contribution to the understanding of Afro-futurism and modern essay writing.