Singing The Classical, Voicing The Modern: The Postcolonial Politics Of Music In South India

Singing The Classical, Voicing The Modern: The Postcolonial Politics Of Music In South India

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Frequently Asked Questions

  • Q: What is the main focus of 'Singing the Classical, Voicing the Modern'? A: The book explores the postcolonial politics of Karnatic music in South India, examining its classification as classical music and its relationship to Western classical traditions.
  • Q: Who is the author of this book? A: The author is Amanda J. Weidman, who combines ethnographic observation with archival analysis to discuss Karnatic music.
  • Q: What topics are covered in the book? A: The book covers the politics of voice, authenticity, performance conventions, the status of women in music, and the interplay between oral traditions and modern technologies.
  • Q: Is this book suitable for beginners in ethnomusicology? A: While it offers in-depth analysis, the book is suitable for both beginners and those with a background in ethnomusicology, due to its detailed exploration of cultural and historical contexts.
  • Q: What is the condition of the book? A: The book is listed as a used book in good condition.
  • Q: When was 'Singing the Classical, Voicing the Modern' published? A: The book was published on July 18, 2006.
  • Q: How many pages does the book have? A: The book contains 368 pages.
  • Q: What is the binding type of the book? A: The binding type of the book is paperback.
  • Q: Does this book include illustrations or music notations? A: The book primarily focuses on textual analysis and ethnographic observation; it may not include extensive illustrations or music notations.
  • Q: What makes this book significant in the study of music and culture? A: It provides a critical examination of how Karnatic music's classification as classical music reflects broader themes of identity, modernity, and cultural authenticity.