Situating El Lissitzky: Vitebsk, Berlin, Moscow (Issues & Debates),Used

Situating El Lissitzky: Vitebsk, Berlin, Moscow (Issues & Debates),Used

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Brand: Getty Research Institute
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Situating El Lissitzky Reassesses The Complex Career Of One Of The Most Influential Yet Controversial Experimental Artists Of The Early Twentieth Century. A Prolific Painter, Designer, Architect, And Photographer, El Lissitzky (18901941) Worked With The Soviet And The European Artisticavantgardes In The 1920S And As A Propagandist For The Stalinist Regime In The Following Decade.Taking Readers Into The Thick Of Current Debates About Lissitzky'S Artistic Personae, Situating El Lissitzky Reconstructs Aspects Of His Elusive Identity Across Different Periods, Places, And Media. Following An Introduction In Which Nancy Perloff Distills And Draws Together The Volume'S Eightessays, Christina Lodder, Va Forgcs, And Maria Gough Offer Revisionist Accounts Of Lissitzky'S Years As An International Constructivist And Exhibition Designer In Europe. John E. Bowlt Then Investigates The Role Of Handicraft And The Symbol Of The Hand In Lissitzky'S Artistic Production, And Leahdickerman And Margarita Tupitsyn Elucidate The Interplay Between Physicality And Opticality At Different Stages In Lissitzky'S Development As A Photographer. Finally, T. J. Clark And Peter Nisbet Address The Disconcerting Balance Of Aesthetic Value And Political Expediency In Lissitzky'S Overtlycommunist Art. The Result Is A Kaleidoscopic Portrait Of Lissitzky As Bolshevik Visionary, Craftsman, Modernist, Internationalist, And Soviet Propagandist.

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  • Q: What is the size of the book 'Situating El Lissitzky'? A: The book measures six point nine inches in length, one inch in width, and nine point nine inches in height.
  • Q: How many pages does 'Situating El Lissitzky' have? A: This book contains two hundred eighty-eight pages, providing extensive coverage of El Lissitzky's artistic career.
  • Q: What type of binding does this book have? A: The book is available in a paperback binding, making it flexible and easy to handle.
  • Q: Who is the author of 'Situating El Lissitzky'? A: The author of the book is Nancy Perloff, who also provides an introduction summarizing the essays.
  • Q: What is the main theme of 'Situating El Lissitzky'? A: The main theme examines the complex career and identity of El Lissitzky across different artistic movements.
  • Q: Is 'Situating El Lissitzky' suitable for art history students? A: Yes, this book is highly suitable for art history students as it delves into significant artistic debates and historical contexts.
  • Q: How can I use 'Situating El Lissitzky' for my research? A: You can use this book as a primary source for understanding El Lissitzky's influence in modern art and Soviet propaganda.
  • Q: Is there a specific reading level for 'Situating El Lissitzky'? A: This book is generally aimed at college-level readers and those with an interest in art history.
  • Q: Can I find illustrations in 'Situating El Lissitzky'? A: Yes, this book includes fifteen colour illustrations that complement the text and enhance understanding.
  • Q: How should I care for my copy of 'Situating El Lissitzky'? A: To keep your book in good condition, store it upright and avoid exposing it to excessive moisture or sunlight.
  • Q: Is 'Situating El Lissitzky' a used book? A: Yes, this edition is a used book but is described as being in good condition.
  • Q: What should I do if my copy of 'Situating El Lissitzky' arrives damaged? A: If your copy arrives damaged, you should contact the seller for a return or exchange as per their policy.
  • Q: Are there any safety concerns with 'Situating El Lissitzky'? A: No, there are no specific safety concerns associated with this book as it is a standard paperback publication.
  • Q: How does 'Situating El Lissitzky' compare to other art history books? A: This book offers a unique revisionist perspective on El Lissitzky compared to more general art history texts that may lack depth on his work.
  • Q: Is 'Situating El Lissitzky' appropriate for general readers? A: Yes, while it is academically rigorous, general readers interested in art and history will find it engaging and informative.

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