Title
Situation (Whitechapel: Documents of Contemporary Art),Used
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Key texts on the notion of situation in art and theory that consider site, place, and context, temporary interventions, remedial actions, placemaking, and public space.Situationa unique set of conditions produced in both space and time and ranging across material, social, political, and economic relationshas become a key concept in twentyfirstcentury art. Rooted in artistic practices of the 1960s and 1970s, the idea of situation has evolved and transcended these in the current context of globalization. This anthology offers key writings on areas of art practice and theory related to situation, including notions of the site specific, the artist as ethnographer or fieldworker, the relation between action and public space, the meaning of place and locality, and the crucial role of the curator in recent situation specific art.In North America and Europe, the sitespecific is often viewed in terms of resistance to art's commoditization, while elsewhere situationspecific practices have defied institutions of authority. The contributors discuss these recent tendencies in the context of proliferating international biennial exhibitions, curatorial placebound projects, and strategies by which artists increasingly unsettle the definition and legitimation of situationbased art.Artists SurveyedVito Acconci, Allora & Calzadilla, Francis Als, Carl Andre, Artist Placement Group, Michael Asher, Amy Balkin, Ursula Biemann, Bik Van der Pol, Daniel Buren, Victor Burgin, Janet Cardiff, Center for Land Use Interpretation, Adam Chodzko, Collective Actions, Tacita Dean, Elmgreen & Dragset, Andrea Fraser, Hamish Fulton, Dan Graham, Liam Gillick, Rene Green, Group Material, Douglas Huebler, Bethan Huws, Pierre Huyghe, Robert Irwin, Emily Jacir, Ilya Kabakov, Leopold Kessler, Jlius Koller, Langlands & Bell, Ligna, Richard Long, Gordon MattaClark, Graeme Miller, Jonathan Monk, Robert Morris, Gabriel Orozco, Walid Ra'ad, Raqs Media Collective, Paul Rooney, Martha Rosler, Allen Ruppersberg, Richard Serra, Situationist International, Tony Smith, Robert Smithson, Vivan Sundaram, Rirkrit Tiravanija, Lawrence Weiner, Rachel Whiteread, Krzysztof Wodiczko, Qiu ZhijieWritersArjun Appaduri, Marc Aug, Wim Beeren, Josephine Berry Slater, Daniel Birnbaum, Ava Bromberg, Susan BuckMorss, Michel de Certeau, Douglas Crimp, Gilles Deleuze, T. J. Demos, Rosalyn Deutsche, Thierry de Duve, Charles Esche, Graeme Evans, Patricia Falguires, Marina Fokidis, Hal Foster, Hou Hanrou, Brian Holmes, Mary Jane Jacob, Vasif Kortun, Miwon Kwon, Lu Jie, Doreen Massey, James Meyer, Ivo Mesquita, Brian O'Doherty, Craig Owens, Irit Rogoff, Peter Weibel
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- Q: What is the page count of the book? A: The book has two hundred thirty-eight pages. This length provides ample content for exploring key texts on the notion of 'situation' in art and theory.
- Q: What are the dimensions of the book? A: The book measures six inches in length, zero point ninety-two inches in width, and seven point twenty-five inches in height. These dimensions make it a convenient size for reading and display.
- Q: What type of binding does the book have? A: The book is published in paperback binding. This type of binding is lightweight and flexible, ideal for casual reading.
- Q: Who is the author of this book? A: The author of the book is Claire Doherty. She is recognized for her contributions to contemporary art theory and criticism.
- Q: What is the main theme of the book? A: The main theme revolves around the concept of 'situation' in contemporary art. It examines how site, place, and context influence artistic practices.
- Q: Is this book suitable for beginners in art theory? A: Yes, this book is suitable for beginners. It includes key texts and discussions that provide foundational insights into contemporary art practices.
- Q: How do I use this book for my studies? A: You can use this book as a resource for understanding site-specific art practices and theory. It can serve as a reference for projects or essays in art criticism.
- Q: Is this book appropriate for academic courses? A: Yes, this book is appropriate for academic courses. It offers critical perspectives that enhance discussions in art theory and criticism.
- Q: How should I store this book to keep it in good condition? A: Store the book upright on a shelf away from direct sunlight. This will help preserve its binding and prevent fading of the cover.
- Q: What should I do if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for a return or replacement. Most retailers have policies in place for damaged items.
- Q: Can I return the book if I don't find it useful? A: Yes, you can typically return the book if it does not meet your expectations. Check the seller's return policy for specific details.
- Q: Does the book discuss artists from various regions? A: Yes, the book includes discussions on artists from North America and Europe, as well as contributions from global perspectives. This diversity enriches the analysis of situation-specific practices.
- Q: Are there any notable contributors featured in the book? A: Yes, notable contributors include Vito Acconci, Francis Alÿs, and Richard Serra. Their insights provide depth to the discussions on contemporary art practices.
- Q: Is this book focused on a specific art movement? A: No, the book is not focused on a single art movement; instead, it explores a variety of practices related to the concept of 'situation' in art.
- Q: What kind of writing styles can I expect in this book? A: The book features a range of writing styles, including essays, critiques, and theoretical discussions. This variety caters to different interests and academic levels.
- Q: Is the book aimed at a specific audience? A: The book is aimed at art practitioners, students, and critics. It offers insights that are valuable for anyone interested in contemporary art theory.