Title
Slave Songs Of The Georgia Sea Islands (Brown Thrasher Books Ser.),Used
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A valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture.Collected over a period of nearly twentyfive years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia.Over the years, Parrish won the confidence of many of the AfricanAmerican singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print.The songs are grouped in categories, including African survival songs; shout songs; ringplay, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs.Reproduced in its original oversized format, Slave Songs of the Georgia Sea Islands will inform and delight students and scholars of AfricanAmerican culture and folklore as well as folk music enthusiasts.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: How many pages does the book have? A: The book contains three hundred twenty pages. This length allows for an in-depth exploration of folk music and cultural narratives.
- Q: What is the size of the book? A: The book measures eight and a half inches by ten and ninety-eight inches. This oversized format is ideal for showcasing photographs and music notations.
- Q: What type of binding does the book have? A: The book is bound in paperback. This makes it lightweight and easy to handle for readers.
- Q: Who is the author of this book? A: The author is Lydia Parrish. She collected these songs and stories over a span of nearly twenty-five years.
- Q: What genre does this book belong to? A: This book falls under the genre of ethnomusicology. It combines music with cultural history and folklore.
- Q: Is this book suitable for academic study? A: Yes, this book is suitable for academic study. It provides valuable insights into African-American culture and history.
- Q: How can I use this book for research? A: You can use this book for research by studying its collection of songs and accompanying cultural notes. It offers primary sources for folklorists and musicologists.
- Q: Is this book appropriate for children? A: Yes, this book is appropriate for older children and teens. It can serve as an educational resource on cultural diversity and history.
- Q: Can I use this book in a classroom setting? A: Yes, this book can be used in a classroom setting. It offers rich material for discussions on music, culture, and history.
- Q: How should I store this book? A: Store this book in a cool, dry place. Keeping it upright on a shelf will help maintain its condition.
- Q: What is the best way to clean the book? A: The best way to clean the book is to use a soft, dry cloth to dust it. Avoid using liquids that could damage the pages.
- Q: Is there a warranty for this book? A: No, there is typically no warranty for books. However, check the retailer's return policy for damaged copies.
- Q: What if I receive a damaged book? A: If you receive a damaged book, contact the retailer for a return or exchange. Most retailers have policies for damaged items.
- Q: How does this book compare to other folk music collections? A: This book offers a unique perspective by focusing specifically on the Gullah culture. It provides depth that may not be found in broader folk music collections.
- Q: What audience is this book intended for? A: This book is intended for scholars, students, and enthusiasts of African-American culture and folklore. It appeals to a wide range of readers interested in music history.