Title
Slippery Stone: An Inquiry Into Islam'S Stance On Music
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What Does Islam Say About Poetry, Singing, Musical Instruments, Musicians, And The Business Of Music? How Have Muslim Societies Historically Looked At These Questions And How Have Their Attitudes Changed In The Media Age? Why Have Mosques Remained Musicfree While Churches Have Not? What Is The Truth About The Muchpublicized Music Controversy In Islam? Why Did Sufis Call Sama As The Slippery Stone? These Are Some Of The Questions Explored Indepth In Slippery Stone: An Inquiry Into Islam'S Stance On Music.Of Late, Increasing Attempts Are Being Made To Promote Islamic Music, And The Distinction Between What Is Allowed And What Is Not Has Become Hazy And Unclear For Many. This Book Demystifies The Issue Of Music In Islam By Going To Original Source Books In Arabic, Many Of Them Brought To Light For The First Time In The English Language. It Traces The Attitudes Of The Muslim Society About Music And The Musician Throughout Its History And Quotes Extensively From The Deliberations Of The Qur An And Hadith Scholars And Jurists From All Schools Of Islamic Law, Both Sunni And Shi'Ah. Separate Chapters Are Devoted To A Discussion Of The Views Of Sufi Masters As Well As The Arguments Of Ibn Hazm.It Examines In Considerable Depth The Impact Of Colonialism And The Media Revolution (Beginning With The Gramophone) On The Attitudes Of Muslim Societies Regarding Music. It Also Subjects The Works Of Orientalists To A Scrutiny That Was Overdue.By Referring To It As A Slippery Stone, Sufis Vividly Pointed Out The Dangers Associated With This Enterprise And Emphasized The Need For Caution. History Is Filled With The Corpses Of Those Who Fell Off The Slippery Stone By Ignoring This Advice. Combining Historic, Cultural, And Jurisprudential Perspectives This Book Brings The Truth Of That Metaphor Into Sharp Relief.More Than Six Hundred References And More Than A Hundred Twenty Biographical Notes On The Authorities Quoted Add To The Value Of A Discussion That Is Comprehensive Without Being Boring, And Detailed Without Being Confusing. This Book Has Left No Stone Unturned In Its Examination Of The Slippery Stone.Foreword By Syed Salman Nadvi
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- Q: How many pages does the book have? A: The book has three hundred eighty-four pages. It offers a comprehensive exploration of Islam's stance on music.
- Q: What is the binding type of this book? A: The book is available in paperback binding. This makes it flexible and portable for reading.
- Q: Who is the author of 'Slippery Stone'? A: The author of the book is Khalid Baig. He provides in-depth analysis and historical context regarding music in Islam.
- Q: What topics are covered in this book? A: The book explores topics like poetry, musical instruments, and historical attitudes toward music in Muslim societies. It also addresses contemporary issues surrounding Islamic music.
- Q: Is this book suitable for beginners in Islamic studies? A: Yes, it's suitable for beginners. The author explains complex topics in an accessible manner.
- Q: What perspective does the book take on Sufi music? A: The book discusses the views of Sufi masters regarding music. It highlights the metaphor of the 'slippery stone' and its implications.
- Q: How should I store this book to keep it in good condition? A: Store the book in a cool, dry place away from direct sunlight. This will help preserve its quality over time.
- Q: Can this book be used as an academic resource? A: Yes, it can be used as an academic resource. It contains over six hundred references and biographical notes.
- Q: Is there a foreword written by someone notable? A: Yes, the book includes a foreword by Syed Salman Nadvi. His insights add depth to the discussion.
- Q: Does the book discuss the impact of colonialism on music in Islam? A: Yes, it examines the impact of colonialism on Muslim attitudes toward music. This historical context enriches the discussion.
- Q: What is the publisher of this book? A: The book is published by Openmind Press. They are known for their insightful publications on various subjects.
- Q: Are there any illustrations or images in the book? A: No, the book does not include illustrations. It focuses on textual analysis and historical references.
- Q: Is this book appropriate for all ages? A: Yes, the book is appropriate for all ages. It presents its themes in a respectful and educational manner.
- Q: How does the book address contemporary music controversies in Islam? A: The book explores contemporary music controversies by analyzing historical and cultural contexts. It aims to clarify misconceptions.
- Q: Does this book reference original Arabic texts? A: Yes, the book references original Arabic source texts. This adds authenticity and depth to its analysis.