Title
Sounding New Media: Immersion And Embodiment In The Arts And Culture
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Sounding New Media Examines The Longneglected Role Of Sound And Audio In The Development Of New Media Theory And Practice, Including New Technologies And Performance Art Events, With Particular Emphasis On Sound, Embodiment, Art, And Technological Interactions. Frances Dyson Takes An Historical Approach, Focusing On Technologies That Became Available In The Midtwentieth Centuryelectronics, Imaging, And Digital And Computer Processingand Analyzing The Work Of Such Artists As John Cage, Edgard Varse, Antonin Artaud, And Char Davies. She Utilizes Sound'S Intangibility To Study Ideas About Embodiment (Or Its Lack) In Art And Technology As Well As Fears About Technology And The Socalled Posthuman. Dyson Argues That The Concept Of Immersion Has Become A Path Leading Away From Aesthetic Questions About Meaning And Toward Questions About Embodiment And The Physical. The Result Is An Insightful Journey Through The New Technologies Derived From Electronics, Imaging, And Digital And Computer Processing, Toward The Creation Of An Aesthetic And Philosophical Framework For Considering The Least Material Element Of An Artwork, Sound.
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- Q: How many pages does this book have? A: This book has two hundred fifty-nine pages. It's a paperback edition published by the University of California Press.
- Q: What are the dimensions of this book? A: The dimensions of this book are six inches in length, zero point six seven inches in width, and nine point zero two inches in height.
- Q: Who is the author of this book? A: The author of this book is Frances Dyson. She explores the intersection of sound and new media in her writing.
- Q: How do I read this book? A: You can read this book by purchasing a copy and enjoying it at your own pace. It's suitable for anyone interested in sound and media theory.
- Q: Is this book suitable for beginners? A: Yes, this book is suitable for beginners. It provides an accessible exploration of sound's role in art and technology.
- Q: What is the main theme of this book? A: The main theme of this book is the role of sound and audio in new media theory and practice, focusing on embodiment and technological interactions.
- Q: How should I store this book? A: You should store this book in a cool, dry place, away from direct sunlight to preserve its condition. Keep it on a shelf or in a protective cover.
- Q: Can this book be returned? A: Yes, this book can be returned. There is a no quibbles return policy, ensuring customer satisfaction.
- Q: What if my book arrives damaged? A: If your book arrives damaged, you can easily return it for a replacement or refund. Ensure you contact customer support for assistance.
- Q: Is this book based on historical context? A: Yes, this book takes an historical approach. It examines technologies available in the mid-twentieth century and their impact on sound and art.
- Q: Does this book include illustrations? A: No, this book does not focus on illustrations. It primarily discusses concepts and theories related to sound in media.
- Q: What kind of binding does this book have? A: This book has a paperback binding. It is designed for durability while remaining lightweight and easy to handle.
- Q: Is this book appropriate for academic use? A: Yes, this book is appropriate for academic use. It provides valuable insights into sound theory and its applications in art and technology.
- Q: Are there any notable artists mentioned in this book? A: Yes, notable artists mentioned in this book include John Cage, Edgard Varèse, and Antonin Artaud. Their work is analyzed in the context of sound and media.
- Q: Does the book discuss contemporary issues? A: Yes, the book discusses contemporary issues regarding technology and the concept of 'post-human' in relation to sound and embodiment.