Stella Adler on Ibsen, Strindberg, and Chekhov,Used

Stella Adler on Ibsen, Strindberg, and Chekhov,Used

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In her longawaited book, the legendary acting teacher Stella Adler gives us her extraordinary insights into the work of Henrik Ibsen ('The creation of the modern theater took a genius like Ibsen. . .Miller and Odets, Inge and O'Neill, Williams and Shaw, swallowed the whole of him'), August Strindberg ('He understood and predicted the forces that would break in our lives'), and Anton Chekhov ('Chekhov doesn't want a play, he wants what happens in life. In life, people don't usually kill each other. They talk').Through the plays of these masters, Adler discusses the arts of playwriting and script interpretation ('There are two aspects of the theater. One belongs to the author and the other to the actor. The actor thinks it all belongs to the author. . .The curtain goes up and all he knows are the lines. . .It is not enough. . .Script interpretation is your profession').She looks into aspects of society and class, and into our cultural past, as well as the evolution of themodern spirit ('The actor learns from Ibsen what is modern in the modern theater. There are no villains, no heroes. Ibsen understands, more than anything, there is more than one truth').Stella Adlerdaughter of Jacob Adler, who was universally acknowledged to be the greatest actorof the Yiddish theater, and herself a disciple of Stanislavskyexamines the role of the actor and brings to life the plays from which all modern theater derives: Ibsen's Hedda Gabler, The Master Builder, An Enemy of the People, and A Doll's House; Strindberg's Miss Julie and The Father; Chekhov's The Seagull, Uncle Vanya, The Cherry Orchard, and Three Sisters ('Masha is the sister who is the mystery. You cannot reach her. You cannot reach the artist. There is no logical way. Keep her in a special pocket of feelings that are complex and different').Adler discusses the ideas behind these plays and explores the world of the playwrights and thehistoryboth familial and culturalthat informed their work. She illumines not only the dramatic essence of each play but its subtext as well, continually asking questions that deepen one's understanding of the work and of the human spirit.Adler's book, brilliantly edited by Barry Paris, puts her famous lectures into print for the first time.

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We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.

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Warranty

We provide a 2-year limited warranty, from the date of purchase for all our products.

If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.

This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).

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Frequently Asked Questions

  • Q: What is the main theme of 'Stella Adler on Ibsen, Strindberg, and Chekhov'? A: The main theme of Stella Adler's book revolves around the insights and interpretations of the works of playwrights Henrik Ibsen, August Strindberg, and Anton Chekhov, focusing on their contributions to modern theater and the role of the actor.
  • Q: Who is the author of the book? A: The author of the book is Stella Adler, a renowned acting teacher and a significant figure in the theater world.
  • Q: What type of binding does this book have? A: This book is available in hardcover binding, which offers durability and a professional appearance.
  • Q: How many pages are in 'Stella Adler on Ibsen, Strindberg, and Chekhov'? A: The book contains 323 pages, providing an in-depth exploration of the discussed playwrights and their works.
  • Q: When was this book published? A: The book was published on March 23, 1999.
  • Q: What condition is the used book in? A: The used book is in 'Very Good' condition, indicating that it has been well cared for and shows minimal signs of wear.
  • Q: What are some key features of this book? A: Key features of the book include detailed insights into playwriting, script interpretation, and cultural context, as well as a discussion of notable plays by Ibsen, Strindberg, and Chekhov.
  • Q: Is this book suitable for beginners in theater? A: Yes, this book is suitable for both beginners and experienced theater practitioners, as it offers foundational insights into important theatrical works and concepts.
  • Q: Who edited 'Stella Adler on Ibsen, Strindberg, and Chekhov'? A: The book was edited by Barry Paris, ensuring that Stella Adler's lectures are presented clearly and effectively.
  • Q: What can readers expect to learn from this book? A: Readers can expect to learn about the dramatic essence of classic plays, the philosophies behind them, and how these playwrights have influenced modern acting and storytelling.