Strunk's Source Readings in Music History, Vol. 4: The Baroque Era, Revised Edition,Used

Strunk's Source Readings in Music History, Vol. 4: The Baroque Era, Revised Edition,Used

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Though traditionally labeled 'Baroque,' the seventeenth and early eighteenth centuries in music could as easily be termed 'early modern,' since many of the genres that are popular todaywere established during that time. And as music itself was becoming more and more of a public affair, discussions and writings about music increased greatly. In The Baroque Era, Margaret Murata presents twoscore readings from a constellation of personalities whose thoughts and opinions help define the period for us. We hear, of course, from the composers (Monteverdi, Schtz, Rameau, Bach) and the theorists (Artusi, Simpson, North, Mattheson), but we also find the words of nonmusicians, ranging from the famous (Joseph Addison, Lady Mary Montagu) to the unknown 'Truthful Reporter.'

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  • Q: What is the main focus of Strunk's Source Readings in Music History, Vol. 4? A: The book focuses on the Baroque era in music history, presenting key readings and opinions from notable composers and theorists of the time.
  • Q: Who is the author of this book? A: The author of Strunk's Source Readings in Music History, Vol. 4 is Leo Treitler.
  • Q: What is the publication date of this revised edition? A: The revised edition was published on February 17, 1998.
  • Q: How many pages does this book contain? A: The book contains a total of 256 pages.
  • Q: What type of binding does this book have? A: Strunk's Source Readings in Music History, Vol. 4 is available in paperback binding.
  • Q: Is this book suitable for beginners in music history? A: Yes, the readings and discussions are accessible and can provide valuable insights for beginners interested in music history.
  • Q: Are there contributions from composers in this book? A: Yes, the book includes thoughts from significant composers such as Monteverdi, Schütz, Rameau, and Bach.
  • Q: What can I learn from the nonmusician perspectives included in the book? A: The nonmusician perspectives offer a broader cultural context of the Baroque period, contributing to a deeper understanding of music's societal impact.
  • Q: Is the book condition new? A: Yes, the item condition is listed as new.
  • Q: What category does this book fall under? A: This book falls under the European category of music history.

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