Tattoo: Bodies, Art, and Exchange in the Pacific and the West  History of Tatooing,Used

Tattoo: Bodies, Art, and Exchange in the Pacific and the West History of Tatooing,Used

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The history of tattooing is shrouded in controversy. Citing the Polynesian derivation of the word tattoo, many scholars and tattoo enthusiasts have believed that the modern practice of tattooing originated in the Pacific, and specifically in the contacts between Captain Cooks seamen and the Tahitians. Tattoo demonstrates that while the history of tattooing is far more complex than this, Pacific body arts have provided powerful stimuli to the West intermittently from the eighteenth century to the present day. The essays collected here document the extraordinary, intertwined histories of processes of cultural exchange and Pacific tattoo practices. Art historians, anthropologists, and scholars of Oceania provide a transcultural history of tattooing in and beyond the Pacific.The contributors examine the contexts in which Pacific tattoos were discovered by Europeans, track the history of the tattooing of Europeans visiting the region, and look at how Pacific tattooing was absorbed, revalued, and often suppressed by agents of European colonization. They consider how European art has incorporated tattooing, and they explore contemporary manifestations of Pacific tattoo art, paying particular attention to the different trajectories of Samoan, Tahitian, and Maori tattooing and to the meaning of presentday appropriations of tribal tattoos. New research has uncovered a fascinating visual archive of centuriesold tattoo images, and this richly illustrated volume includes a number of thosemany published here for the first timealongside images of contemporary tattooing in Polynesia and Europe. Tattoo offers a tantalizing glimpse into the plethora of stories and crosscultural encounters that lie between the blood on a sailors backside in the eighteenth century and the hammering of a Samoan tattoo tool in the twentyfirst.Contributors. Peter Brunt, Anna Cole, Anne DAlleva, Bronwen Douglas, Elena Govor, Makiko Kuwahara, Sean Mallon, Linda Waimarie Nikora, Mohi Rua, Cyril Siorat, Ngahuia Te Awekotuku, Nicholas Thomas, Joanna White

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We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.

Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.

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Warranty

We provide a 2-year limited warranty, from the date of purchase for all our products.

If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.

This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).

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Frequently Asked Questions

  • Q: What is the main focus of the book 'Tattoo: Bodies, Art, and Exchange in the Pacific and the West'? A: The book explores the complex history of tattooing, particularly its origins in the Pacific and its cultural exchanges with the West, highlighting the intertwined histories of tattoo practices and cultural appropriation.
  • Q: Who are the contributors to this book? A: The book features contributions from various scholars, including Peter Brunt, Anna Cole, Anne D’Alleva, Bronwen Douglas, Elena Govor, Makiko Kuwahara, Sean Mallon, Linda Waimarie Nikora, Mohi Rua, Cyril Siorat, Ngahuia Te Awekotuku, Nicholas Thomas, and Joanna White.
  • Q: What type of binding does this book have? A: The book is available in paperback binding, making it a flexible and portable option for readers.
  • Q: When was 'Tattoo: Bodies, Art, and Exchange in the Pacific and the West' published? A: The book was published on March 23, 2005.
  • Q: How many pages does the book contain? A: The book contains a total of 256 pages.
  • Q: Is this book suitable for academic research? A: Yes, the book is suitable for academic research as it includes essays from art historians and anthropologists, providing a scholarly perspective on the history and significance of tattooing.
  • Q: What topics does the book cover regarding Pacific tattoo practices? A: The book covers various topics, including the discovery of Pacific tattoos by Europeans, the history of tattooing among Europeans in the Pacific, cultural appropriation, and contemporary Pacific tattoo art.
  • Q: Does the book include images of tattoos? A: Yes, the book includes a rich visual archive with images of both historical and contemporary tattoos, many of which are published for the first time.
  • Q: What is the significance of the title 'Tattoo: Bodies, Art, and Exchange in the Pacific and the West'? A: The title reflects the book's exploration of the relationships between body art, cultural exchange, and the historical contexts of tattooing in both the Pacific and Western societies.
  • Q: Is there any specific focus on different cultural traditions of tattooing? A: Yes, the book pays particular attention to the tattooing traditions of Samoan, Tahitian, and Maori cultures, exploring their unique meanings and contemporary appropriations.