Title
Terror Tracks: Music, Sound And Horror Cinema (Genre, Music And Sound)
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Commissioned And Edited To Appeal To A Crossover Film And Music Studies Readership, Terror Tracks Is An Anthology That Analyses The Use Of Music And Sound In The Popular Genre Of Horror Cinema. Focusing On The Postwar Period, Contributors Analyse The Role Of Music And Sound In Establishing And Enhancing The Senses Of Unease, Suspense And Shock Crucial To The Genre. The Anthology Shows The Various Patterns Of Use An Inflection In A Range Of Scores Orchestral, Popular, Rock And Electronic And How These Relate To Nonmusical Sound. Lively And Accessible, Terror Tracks Is An Important Contribution To Study Of Horror Cinema.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: How many pages does the book have? A: The book has two hundred ninety-six pages. This provides a comprehensive analysis of music and sound in horror cinema.
- Q: What is the binding type of this book? A: The binding type is paperback. This makes it flexible and easy to handle for reading.
- Q: What are the dimensions of the book? A: The book measures nine point two five inches in length, zero point eight inches in width, and nine inches in height. These dimensions make it portable and easy to store.
- Q: Who is the author of 'Terror Tracks'? A: The author is Philip Hayward. He brings expertise in Film and Music Studies to the anthology.
- Q: What genre does this book fall under? A: The book falls under the Performing Arts genre. It specifically focuses on the intersection of music, sound, and horror cinema.
- Q: Is this book suitable for beginners in Film Studies? A: Yes, it is suitable for beginners. The writing is lively and accessible, making complex concepts easier to understand.
- Q: How can I use this book for my studies? A: You can use this book as a reference for analyzing music in horror films. It provides insights into soundscapes crucial for the genre.
- Q: Is there a specific audience this book targets? A: Yes, it targets a crossover audience of Film and Music Studies readers. Both scholars and enthusiasts will find it valuable.
- Q: What is the recommended age for readers of this book? A: The book is aimed at adult readers. It discusses themes that may not be suitable for younger audiences.
- Q: What condition is the used book in? A: The used book is in good condition. It has been well-preserved for continued reading.
- Q: How should I care for this paperback book? A: To care for the book, store it in a cool, dry place and avoid direct sunlight. This helps maintain its condition.
- Q: Can I clean the book if it gets dirty? A: Yes, you can gently wipe the cover with a dry cloth. Avoid using water or cleaning solutions that may damage the pages.
- Q: Is there a warranty for this book? A: No, there is no warranty for this book. However, it is a scholarly anthology and is meant for educational purposes.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for return or exchange options. Most sellers will accommodate such requests.
- Q: How does this book compare to others in its genre? A: This book offers a unique analysis of music in horror films, unlike many others that may focus only on film theory. It's an important contribution to the field.
- Q: Is it easy to find additional resources related to this book? A: Yes, there are numerous academic articles and studies on music in horror cinema that complement this book. These can enhance your understanding of the topic.