The Aesthetics And Psychology Of The Cinema (The Society For Cinema Studies Translation Series),New
The Aesthetics And Psychology Of The Cinema (The Society For Cinema Studies Translation Series),New
The Aesthetics And Psychology Of The Cinema (The Society For Cinema Studies Translation Series),New

The Aesthetics And Psychology Of The Cinema (The Society For Cinema Studies Translation Series),New

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SKU: DADAX0253213770
Brand: Indiana University Press
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[Jean Mitry] Is The Aristotle Of Film.' R.D. Maccannthis Text Marks A Watershed In Film Theory. Mitry Sums Up The First Fifty Years Of Theoretical Writings On The Cinema...' Richard Abelthe Rediscovery Of Mitry Could Change The Parameters Of Film Teaching, Breaking Down The Boundaries Between The Real And The Formal, Forcing Us To See How They Are Inexorably Fused Together.' Leo Charneychristian Metz Wrote That With This Work, An Entire Era Of Film Literature Ends. Perhaps Because It Was So Imposing, People Like Metz Turned In Different Directionssemiotics, Structuralism, Marxism, Psychoanalysis, And So On.' Charles Malandjean Mitrys Aesthetics And Psychology Of The Cinema Presents A Formalist, Phenomenological Approach To The Aesthetics Of Cinema. It Provides A Historically Interesting Basis For A Fullblown Auteurist Aesthetics, Which Continues To Form The Basis For A Great Deal Of Thinking About Film. Mitrys Book Is Also The Basis Out Of Which The Semiotics Of Christian Metz And Others Flourished In The Late 1960S. It Supplies The Missing Link Between The Classical Film Theorists Like Balacz And Munsterberg And The Film Semioticians Like Metz, Who Came Later. Mitry Is The Apotheosis And Grand Summation Of The Psychological And Formalist Views Of Film. This Onevolume Condensation Of The Classic Work Concentrates Purely On Film Matter. In It, Mitry Discusses Such Topics As The Film Image, Rhythm And Montage, Rhythm And Moving Shots, And Time And Space Of The Drama.

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