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The Aesthetics And Psychology Of The Cinema (The Society For Cinema Studies Translation Series)-used
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[Jean Mitry] Is The Aristotle Of Film.' R.D. Maccannthis Text Marks A Watershed In Film Theory. Mitry Sums Up The First Fifty Years Of Theoretical Writings On The Cinema...' Richard Abelthe Rediscovery Of Mitry Could Change The Parameters Of Film Teaching, Breaking Down The Boundaries Between The Real And The Formal, Forcing Us To See How They Are Inexorably Fused Together.' Leo Charneychristian Metz Wrote That With This Work, An Entire Era Of Film Literature Ends. Perhaps Because It Was So Imposing, People Like Metz Turned In Different Directionssemiotics, Structuralism, Marxism, Psychoanalysis, And So On.' Charles Malandjean Mitrys Aesthetics And Psychology Of The Cinema Presents A Formalist, Phenomenological Approach To The Aesthetics Of Cinema. It Provides A Historically Interesting Basis For A Fullblown Auteurist Aesthetics, Which Continues To Form The Basis For A Great Deal Of Thinking About Film. Mitrys Book Is Also The Basis Out Of Which The Semiotics Of Christian Metz And Others Flourished In The Late 1960S. It Supplies The Missing Link Between The Classical Film Theorists Like Balacz And Munsterberg And The Film Semioticians Like Metz, Who Came Later. Mitry Is The Apotheosis And Grand Summation Of The Psychological And Formalist Views Of Film. This Onevolume Condensation Of The Classic Work Concentrates Purely On Film Matter. In It, Mitry Discusses Such Topics As The Film Image, Rhythm And Montage, Rhythm And Moving Shots, And Time And Space Of The Drama.
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- Q: What are the dimensions of the book? A: The book measures seven point twenty-five inches in length, one inch in width, and ten point twenty-five inches in height. This size makes it suitable for easy handling and reading.
- Q: How many pages does this book have? A: The book contains four hundred twenty-four pages. This length provides a comprehensive exploration of its subject matter.
- Q: What type of binding does the book have? A: The book is available in paperback binding. This makes it lightweight and easy to carry, perfect for reading on the go.
- Q: Who is the author of 'The Aesthetics and Psychology of the Cinema'? A: The author is Jean Mitry. He is recognized as a significant figure in film theory and aesthetics.
- Q: What genre does this book belong to? A: The book falls under the category of Performing Arts. It specifically focuses on film theory and aesthetics.
- Q: Is this book suitable for beginners in film studies? A: Yes, the book is suitable for beginners. It provides foundational insights into film aesthetics and psychological approaches.
- Q: How does this book approach film theory? A: The book presents a formalist, phenomenological approach. It discusses the fusion of the real and formal aspects of cinema.
- Q: Can I use this book for academic purposes? A: Yes, this book is appropriate for academic use. It is well-regarded in film studies and provides valuable theoretical insights.
- Q: What topics does the book cover? A: The book covers various topics including film image, rhythm, montage, and the time and space of drama. It provides a comprehensive view of film aesthetics.
- Q: How should I store this book to keep it in good condition? A: Store the book in a cool, dry place away from direct sunlight. This helps to preserve the binding and pages over time.
- Q: Are there any special cleaning instructions for this book? A: No, there are no special cleaning instructions. Simply avoid exposure to moisture and handle it with clean hands.
- Q: What if I receive a damaged copy of the book? A: If you receive a damaged copy, contact the seller for a return or replacement. Most sellers have policies in place for such issues.
- Q: Is there a warranty or guarantee for this book? A: Typically, books do not come with a warranty. However, check the seller's return policy for any guarantees.
- Q: How can I find out more about Jean Mitry's work? A: You can explore more of Jean Mitry's works through academic libraries or online resources. His contributions to film theory are significant.
- Q: What makes this book a classic in film theory? A: The book is considered a classic due to its comprehensive analysis and influence on future film theorists. It connects earlier film theories with modern approaches.