Title
The American Stage: Writing on Theater from Washington Irving to Tony Kushner (Library of America, No. 203),Used
Sold by Ergodebooks, an authorized reseller.
Returns accepted within 30 days | support@ergodebooks.com
Shipping Information
- Free Standard Shipping — United States only
- Processing Time: 1–3 business days
- Estimated Delivery: 3–5 business days after dispatch
- Double-boxed, fully insured & discreetly packaged
- Tracking number sent via email once dispatched
- Orders over $250 require signature upon delivery. Taxes calculated at checkout.
Returns & Refund
Returns accepted within 30 days of delivery.
Damaged or Defective Item
Free return shipping + replacement or full refund
Wrong Item Received
Free return shipping + replacement or full refund
Change of Mind
Return shipping at customer's expense · 25% restocking fee applies
Payment Option
Here is the story, told firsthand through electric, deeply engaged writing, of Americas living theater, high and low, mainstream and experimental.Drawing on history, criticism, memoir, fiction, poetry, and parody, editor Laurence Senelick presents writers with the special knack to distill both the immediate experience and the recollected impression, to draw the reader into the charmed circle and conjure up what has already vanished. Through the words of playwrights and critics, actors and directors, and others behind the footlights, the entertainments and high artistic strivings of successive eras come vividly, sometimes tumultuously, to life.Observers from Washington Irving and Fanny Trollope to Walt Whitman and Mark Twain evoke the world of the nineteenthcentury playhouse in all its raucous vitality. Henry James confesses his early enthusiasm for playgoing; Willa Cather reviews provincial productions of Uncle Toms Cabin and Antony and Cleopatra. The increasing diversity and ambition of the American theater is reflected in Hutchins Hapgoods account of New Yorks Yiddish theaters at the turn of the century, Carl Van Vechtens review of the Sicilian actress Mimi Aguglia, Alain Lockes comments on the emerging AfricanAmerican theater in the 1920s, and Ezra Pounds response to James Joyces play Exiles and theatrical modernism. Enthusiasts for the New Stagecraft, such as Lee Simonson and Djuna Barnes, are matched by champions of pop culture such as Gilbert Seldes and Fred Allen. S. J. Perelman lampoons Clifford Odets; Edmund Wilson acclaims Minskys Burlesque; Harold Clurman explains Stanislavskis Method; Gore Vidal dissects the compromises of commercial playwriting. A host of playwrightsamong them Thornton Wilder, Arthur Miller, Tennessee Williams, Lorraine Hansberry, Edward Albee, Wendy Wasserstein, David Mamet, and Tony Kushnerare joined by such renowned critics as Stark Young, George Jean Nathan, Brooks Atkinson, and Eric Bentley.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nations literary heritage by publishing, and keeping permanently in print, Americas best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acidfree paper that will last for centuries.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What are the dimensions of this book? A: This book measures five point two inches in length, one point five inches in width, and eight point two inches in height.
- Q: How many pages does the book have? A: The book contains eight hundred fifty pages, providing an extensive exploration of American theater.
- Q: What type of binding does this book have? A: This book is bound in hardcover, ensuring durability and a quality reading experience.
- Q: Who is the author of this book? A: The author of this book is Laurence Senelick, a prominent figure in theater writing.
- Q: What genre does this book belong to? A: This book is categorized under Broadway and Musicals, covering a range of theatrical topics.
- Q: Is this book suitable for all ages? A: This book is not specifically labeled for age suitability, but it contains content about theater that may appeal to mature readers.
- Q: How can I use this book effectively? A: You can use this book as a comprehensive reference on American theater history and criticism.
- Q: Is there a recommended reading level for this book? A: The book is suitable for adults and advanced students interested in theater studies.
- Q: How should I store this book to keep it in good condition? A: Store the book in a cool, dry place, standing upright on a shelf to maintain its shape.
- Q: Can I read this book while eating or drinking? A: It's advisable to keep food and drinks away from the book to prevent stains and damage.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller to discuss return or replacement options.
- Q: Is there a warranty on this book? A: Typically, books do not come with a warranty, but check with the seller for specific return policies.
- Q: Are there any specific care instructions for this book? A: To care for this book, avoid exposing it to direct sunlight and handle it gently to prevent wear.
- Q: How does this book compare to other theater books? A: This book stands out for its extensive collection of writings from significant American playwrights and critics.
- Q: Is this book a good gift for theater enthusiasts? A: Yes, this book makes an excellent gift for anyone interested in the history and evolution of American theater.
- Q: What if I find a typo or error in the book? A: If you find a typo or error, you can report it to the publisher for potential corrections in future editions.