The Architecture Of Francis Palmer Smith, Atlanta'S Scholararchitect,Used

The Architecture Of Francis Palmer Smith, Atlanta'S Scholararchitect,Used

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Francis Palmer Smith was the principal designer of Atlantabased Pringle and Smith, one of the leading firms of the early twentiethcentury South. Smith was an academic eclectic who created traditional, historybased architecture grounded in the teachings of the cole des BeauxArts. As The Architecture of Francis Palmer Smith shows, Smith was central to the establishment of the BeauxArts perspective in the South through his academic and professional career.After studying with Paul Philippe Cret at the University of Pennsylvania, Smith moved to Atlanta in 1909 to head the new architecture program at the Georgia Institute of Technology. He would go on to train some of the South's most significant architects, including Philip Trammell Shutze, Flippen Burge, Preston Stevens, Ed Ivey, and Lewis E. Crook Jr.In 1922 Smith formed a partnership with Robert S. Pringle. In Atlanta, Savannah, Chattanooga, Jacksonville, Sarasota, Miami, and elsewhere, Smith built office buildings, hotels, and Art Deco skyscrapers; buildings at Georgia Tech, the Baylor School in Chattanooga, and the Darlington School in Rome, Georgia; Gothic Revival churches; standardized bottling plants for CocaCola; and houses in a range of traditional 'period' styles in the suburbs. Smith's love of medieval architecture culminated with his 1962 masterwork, the Cathedral of St. Philip in Atlanta. As his career drew to a close, Modernism was establishing itself in America. Smith's own modern aesthetic was evidenced in the more populist modern of Art Deco, but he never embraced the abstract machine aesthetic of high Modern.Robert M. Craig details the role of history in design for Smith and his generation, who believed that architecture is an art and that ornament, cultural reference, symbolism, and tradition communicate to clients and observers and enrich the lives of both.This book was supported, in part, by generous grants from the Graham Foundation for Advanced Studies in the Fine Arts and the Georgia Tech Foundation, Inc.

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