Title
The Art and Architecture of Islam, 12501800 (The Yale University Press Pelican History of Art Series),Used
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Virtually all the masterpieces of Islamic artthe Alhambra, the Taj Mahal, and the Tahmasp Shahnamawere produced during the period from the Mongol conquests in the early thirteenth century to the advent of European colonial rule in the nineteenth. This beautiful book surveys the architecture and arts of the traditional Islamic lands during this era.Conceived as a sequel to The Art and Architecture of Islam: 6501250, by Richard Ettinghausen and Oleg Grabar, the book follows the general format of the first volume, with chronological and regional divisions and architecture treated separately from the other arts. The authors describe over two hundred works of Islamic art of this period and also investigate broader social and economic contexts, considering such topics as function, patronage, and meaning. They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles. The authors conclude with a provocative essay on the varied legacies of Islamic art in Europe and the Islamic lands in the nineteenth and twentieth centuries.
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- Q: What are the dimensions of the book? A: The book measures eight point seventy-five inches in length, one point twenty-six inches in width, and eleven point five inches in height.
- Q: How many pages does this book have? A: This book contains three hundred sixty-eight pages, providing an in-depth overview of Islamic art and architecture.
- Q: What type of binding does this book have? A: The book is bound in paperback, making it lightweight and easy to handle.
- Q: Who is the author of this book? A: The book is authored by Sheila S. Blair, a renowned expert in Islamic art and architecture.
- Q: What is the genre of this book? A: This book belongs to the art and architecture genre, specifically focusing on Islamic art from twelve fifty to eighteen hundred.
- Q: Is this book suitable for beginners in art history? A: Yes, this book is suitable for beginners as it provides a comprehensive overview of Islamic art and architecture.
- Q: Can I use this book for academic research? A: Yes, this book can be used for academic research due to its detailed analysis and historical context.
- Q: What themes does this book cover? A: The book covers themes such as function, patronage, and the evolution of art styles in Islamic culture.
- Q: How should I care for this book? A: To care for this book, keep it in a dry place and avoid exposure to direct sunlight to preserve the binding and pages.
- Q: Is there a specific way to store this book? A: Yes, store the book upright on a shelf to prevent bending and damage to its spine.
- Q: What if the book arrives damaged? A: If the book arrives damaged, contact customer service to initiate a return or exchange.
- Q: Does the book have a warranty? A: No, this book does not come with a warranty as it is a printed publication.
- Q: Are there any illustrations in this book? A: Yes, the book includes illustrations of over two hundred works of Islamic art, enhancing the reader's understanding.
- Q: Is this book appropriate for children? A: Yes, the book is appropriate for older children interested in art and history, but parental guidance is recommended.
- Q: Can I find this book in libraries? A: Yes, this book is likely available in libraries, especially those with strong art or history sections.
- Q: What is the publication date of this book? A: The book was published as part of The Yale University Press Pelican History of Art Series, but the specific date is not provided.