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Up to the twelfth century, writing in the western vernaculars dealt almost exclusively with religious, historical and factual themes, all of which were understood to convey the truth. The second half of the twelfth century saw the emergence of a new genrethe romancewhich was consciously conceived as fictional and therefore allowed to break free from traditional presuppositions. Green examines this period of crucial importance for the romance genre and for the genesis of medieval fiction.
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