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The first broadranging collection on Deleuzes essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuzes books about cinema have proven as daunting as they are enticinga new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosophers immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuzes cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and littleknown interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuzes cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: ric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; Andrs Blint Kovcs, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; JeanClet Martin, Collge International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; Franois Zourabichvili, Collge International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.
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