Title
The Church Music of FifteenthCentury Spain (Studies in Medieval and Renaissance Music, 2) (Volume 2),Used
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Analysis of Latin sacred music written during the century illustrates the rapid and marked change in style and sophistication.Winner of the 2007 AMS Robert M. Stevenson prizeThe arrival of Francisco de Pealosa at the Aragonese court in May 1498 marks something of an epoch in the history of Spanish music: Pealosa wrote in a mature, northernoriented style, and his sacred music influenced Iberian composers for generations after his death. Kenneth Kreitner looks at the church music sung by Spaniards in the decades before Pealosa, a repertory that has long been ignoredbecause much of it is anonymous and because it is scattered through manuscripts better known for something else. He identifies sixtyseven pieces of surviving Latin sacred music that were written in Spain between 1400 and the early 1500s, and he discusses them source by source, revealing the rapid and dramatic change, not only in the style and sophistication of these pieces, but in the level of composerly selfconsciousness shown in the manuscripts. Withina generation or so at the end of the fifteenth century, Spanish musicians created a new national music just as Ferdinand and Isabella were creating a new nation.KENNETH KREITNER teaches at the University of Memphis.
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