Title
The Cinematic (Whitechapel: Documents Of Contemporary Art),New
Delivery time: 8-12 business days (International)
Key Writings By Artists And Theorists Chart The Shifting Relationship Between Film And Photography And How The Rise Of Cinema Forced Photography To Make A Virtue Of Its Stillness.The Cinematic Has Been A Springboard For The Work Of Many Influential Artists, Including Victor Burgin, Philiplorca Dicorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, And Jeff Wall, Among Others. Much Recent Cinema, Meanwhile, Is Rich With References To Contemporary Photography. Video Art Has Taken A Photographic Turn Into Pensive Slowness; Photography Now Has At Its Disposal The Budgets And Scale Of Cinema. This Addition To Whitechapel'S Documents Of Contemporary Art Series Surveys The Rich History Of Creative Interaction Between The Moving And The Still Photograph, Tracing Their Everchanging Relationship Since Early Modernism.Still Photographycinema'S Ghostly Parentwas Eclipsed By The Medium Of Film, But Also Set Free. The Rise Of Cinema Obliged Photography To Make A Virtue Of Its Own Stillness. Film, On The Other Hand, Envied The Simplicity, The Lightness, And The Precision Of Photography. Russian Constructivist Filmmakers Considered Avantgarde Cinema As A Sequence Of Graphic 'Shots'; Their Bauhaus, Constructivist And Futurist Photographer Contemporaries Assembled Photographs Into A Form Of Cinema On The Page. In Response To The Rise Of Popular Cinema, Henri Cartierbresson Exalted The 'Decisive Moment' Of The Still Photograph. In The 1950S, Reportage Photography Began To Explore The Possibility Of Snatching Filmic Fragments. Since The 1960S, Conceptual And Postconceptual Artists Have Explored The Narrative Enigmas Of The Found Film Still. The Cinematic Assembles Key Writings By Artists And Theorists From The 1920S Onincluding Lszl Moholynagy, Pier Paolo Pasolini, Victor Burgin, Jeff Wall, And Catherine Daviddocumenting The Photographyfilm Dialogue That Has Enriched Both Media.
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We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.
Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main focus of 'The Cinematic' by David Campany? A: 'The Cinematic' explores the evolving relationship between film and photography, highlighting how cinema has influenced photography and vice versa.
- Q: Who is the author of 'The Cinematic'? A: The author of 'The Cinematic' is David Campany, a noted writer and curator in the field of contemporary art.
- Q: When was 'The Cinematic' published? A: 'The Cinematic' was published on April 20, 2007.
- Q: What is the binding type of 'The Cinematic'? A: 'The Cinematic' is available in a paperback binding, making it suitable for easy handling and reading.
- Q: How many pages does 'The Cinematic' contain? A: 'The Cinematic' consists of 222 pages, providing an in-depth exploration of its themes.
- Q: What are some key themes discussed in 'The Cinematic'? A: Key themes in 'The Cinematic' include the dialogue between still photography and moving images, the impact of cinema on photography, and the historical context of this relationship.
- Q: Is 'The Cinematic' suitable for academic study? A: Yes, 'The Cinematic' is suitable for academic study, as it includes key writings by influential artists and theorists, making it a valuable resource for understanding contemporary art.
- Q: What kind of audience would benefit from reading 'The Cinematic'? A: Artists, photographers, students of art history, and anyone interested in the interplay between photography and cinema would benefit from reading 'The Cinematic'.
- Q: Does 'The Cinematic' include illustrations or photographs? A: 'The Cinematic' is illustrated, enhancing the textual content with visual references that complement the discussions on film and photography.
- Q: What is the significance of the title 'The Cinematic'? A: The title 'The Cinematic' signifies the book's focus on the cinematic qualities of photography and how both mediums interact and influence each other throughout history.