The City Of Collective Memory: Its Historical Imagery And Architectural Entertainments,New

Christine Boyer Faces Headon The Crisis Of The City In The Late Twentieth Century, Taking Us On A Fascinating Journey Through Theaters And Museums, Panoramas And Maps, Buildings And Institutions That Are Used To Construct A New Reading Of The City As A System Of Representation, A Complex Cultural Entity. Boyer Brings Together Elements And Concepts From Geography, Critical Theory, Architecture, Literature, And Painting In A Synthetic And Readable Work That Is Broad In Its Reach And Original In Its Insights. What Finally Emerges Is A Sense Of The City Reinvigorated With Richness And Potential.The City Of Collective Memory Describes A Series Of Different Visual And Mental Models By Which The Urban Environment Has Been Recognized, Depicted, And Planned. Boyer Identifies Three Major 'Maps': One Common To The Traditional Citythe City As A Work Of Art; One Characteristic Of The Modern Citythe City As Panorama; And One Appropriate To The Contemporary Citythe City As Spectacle. It Is A Richly Illustrated And Documented Study That Pays Considerable Attention To The Normally Hidden And Unspoken Codes That Regulate The Order Imposed On And Derived From The City. A Wide Range Of Secondary Historical Literature And Theoretical Work Is Considered, With Evident Debts To Structuralist Analysis Of Urban Form Represented By Aldo Rossi, As Well To Much Poststructuralist Criticism From Walter Benjamin To The Present.