The Copywrights: Intellectual Property And The Literary Imagination,New

The Copywrights: Intellectual Property And The Literary Imagination,New

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SKU: DADAX0801476348
UPC: 9780801476341
Brand: Cornell University Press
Condition: New
Regular price$22.80
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They Borrow From Published Works Without Attribution. They Remake Literary Creation In The Image Of Consumption. They Celebrate The Art Of Scissors And Paste. Who Are These Outlaws? Postmodern Culturejammers Or Filesharing Teens? No, They Are The Copywrightsvictorian And Modernist Writers, Among Them Oscar Wilde And James Joyce, Whose Work Wrestled With The Intellectual Property Laws Of Their Day. In A Highly Readable And Thoughtprovoking Book That Places Today'S Copyright Wars In Historical Context, Paul K. Saintamour Asks: Would Their Art Have Survived The Copyright Laws Of The New Millennium?Revisiting Major Works By Wilde And Joyce As Well As Centos Assembled By Anonymous Writers From Existing Poems, Saintamour Sees The Period 18301930 As A Time When Imaginative Literature Became Aware Of Its Own Status As Intellectual Property And Began To Register That Awareness In Its Subjects, Plots, And Formal Architecture. The Authors Of These Selfreflexive Literary Texts Were More Conscious Than Their Precursors Of The Role Played By Consumption In Both The Composition And The Consecration Of Literature. The Texts In Question Became, In Turn, Part Of What Saintamour Characterizes As A 'Counterdiscourse' To Extensive Monopoly Copyright, A Vocal Minority That Insisted On A Broadly Conceived Public Domain Not Only As Indispensable To Free Expression And Fresh Creation But As A Good In Itself.Recent Events Such As The Court Battle Over The Copyright Term Extension Act (Ctea), Which Extends Copyright Terms By 20 Years, The Patenting Of The Human Genome And Of Genetically Altered Seed Lines, And Highstakes Controversies Over Literary Parody Have Increased Public Awareness Of Intellectual Property Law. In The Copywrights, Saintamour Challenges The Notion That Copyright'S Function Ends With The Provision Of Private Incentives To Creation And Innovation. The Cases He Examines Lead Him To Argue That Copyright Performs A Range Of Political, Emotional, And Even Sacred Functions That Are Too Often Ignored And That What Seems To Have Emerged As Copyright'S Primary Functionthe Creation Of Private Property Incentivesmust Not Be An End In Itself.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

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  • Q: How many pages does the book have? A: The book contains three hundred four pages. It's a substantial read that delves deeply into copyright and literary imagination.
  • Q: What are the dimensions of this book? A: The book measures six point twelve inches in length, zero point seventy-one inches in width, and nine point twenty-five inches in height. These dimensions make it easy to handle and store.
  • Q: What is the binding type of this book? A: The book is a paperback. This binding is lightweight and flexible, making it suitable for casual reading.
  • Q: Who is the author of this book? A: The author is Paul K. Saint-Amour. He explores the intersection of intellectual property and literary creativity.
  • Q: What genre does this book belong to? A: This book falls under the category of Copyright. It examines literary works through the lens of intellectual property.
  • Q: Is this book suitable for academic study? A: Yes, this book is suitable for academic study. It provides a critical analysis of copyright laws and their impact on literature, making it ideal for scholars.
  • Q: What themes are explored in the book? A: The book explores themes of intellectual property, literary creativity, and the relationship between consumption and literature. It challenges existing notions of copyright.
  • Q: How does the book address copyright laws? A: The book addresses copyright laws by placing them in historical context. It examines how writers like Oscar Wilde navigated these laws in their creative processes.
  • Q: Is the book suitable for general readers? A: Yes, the book is written in a highly readable style. It is accessible to general readers interested in literature and copyright issues.
  • Q: What should I do if the book arrives damaged? A: If the book arrives damaged, you should contact the seller immediately for a return or exchange. Most sellers have policies in place for such issues.
  • Q: Does the book come with a warranty? A: No, the book does not come with a warranty. However, you can check the return policy of the seller for any concerns.
  • Q: How should I store the book to keep it in good condition? A: Store the book in a cool, dry place away from direct sunlight. This will help preserve its condition over time.
  • Q: Can I use the book for a research paper? A: Yes, you can use the book for a research paper. It offers valuable insights into copyright and literary history.
  • Q: Are there any notable authors discussed in the book? A: Yes, notable authors such as Oscar Wilde and James Joyce are discussed. Their works are analyzed in relation to copyright laws.
  • Q: How can I contact customer support if I have questions? A: You can contact customer support through the seller's website or platform. Look for a 'Contact Us' section for assistance.
  • Q: What is the publication date of the book? A: The publication date is not provided in the details. Please refer to the seller's information for specific release dates.

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