Title
The Crossing Of The Visible (Cultural Memory In The Present),Used
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Painting, According To Jeanluc Marion, Is A Central Topic Of Concern For Philosophy, Particularly Phenomenology. For The Question Of Painting Is, At Its Heart, A Question Of Visibilityof Appearance. As Such, The Painting Is A Privileged Case Of The Phenomenon; The Painting Becomes An Index For Investigating The Conditions Of Appearanceor What Marion Describes As 'Phenomenality' In General.In The Crossing Of The Visible, Marion Takes Up Just Such A Project. The Natural Outgrowth Of His Earlier Reflections On Icons, These Four Studies Carefully Consider The History Of Paintingfrom Classical To Contemporaryas A Fund For Phenomenological Reflection On The Conditions Of (In)Visibility. Ranging Across Artists From Raphael To Rothko, Caravaggio To Pollock, The Crossing Of The Visible Offers Both A Critique Of Contemporary Accounts Of The Visual And A Constructive Alternative. According To Marion, The Proper Response To The 'Nihilism' Of Postmodernity Is Not Iconoclasm, But Rather A Radically Iconic Account Of The Visual And The Arts That Opens Them To The Invisible.
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