The Dark Side Of The Landscape: The Rural Poor In English Painting 17301840 (Cambridge Paperback Library)

The Dark Side Of The Landscape: The Rural Poor In English Painting 17301840 (Cambridge Paperback Library)

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SKU: SONG0521276551
UPC: 9780521276559
Brand: Cambridge University Press
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The Eighteenthcentury Saw A Radical Change In The Depiction Of Country Life In English Painting: Feeling Less Constrained By The Conventions Of Classical Or Theatrical Pastoral, Landscape Painters Attempted To Offer A Portrayal Of What Life Was Really Like, Or Was Thought To Be Like, In England; And This Inevitably Involved A Distinct Approach To The Depiction Of The Rural Poor. John Barrell'S Influential 1980 Study Shows Why The Poor Began To Be Of Such Interest To Painters, And Examines The Ways In Which They Could Be Represented So As To Be An Acceptable Part Of The Dcor Of The Salons Of The Rich. His Discussion Focuses On The Work Of Three Painters: Thomas Gainsborough, George Morland And John Constable. Throughout The Book, Barrell Draws Illuminating Comparisons With The Literature Of Rural Life And With The Work Of Other Painters. His Terse And Vigourous Account Has Provided A Landmark For Social Historians And Literary Critics, As Well As Historians Of Art.

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  • Q: How many pages does the book have? A: This book has one hundred ninety-two pages. It provides a detailed exploration of rural life in English painting.
  • Q: What is the size of this book? A: The book measures six point six nine inches in length, zero point four four inches in width, and nine point six one inches in height.
  • Q: What type of binding does this book have? A: This book is available in paperback binding. This makes it lightweight and easy to handle.
  • Q: Who is the author of this book? A: The author of this book is John Barrell. He is known for his insightful analyses of art and literature.
  • Q: What genre does this book belong to? A: This book falls under the history genre. It specifically explores themes related to rural life in English painting.
  • Q: Is this book suitable for academic study? A: Yes, this book is suitable for academic study. It serves as a landmark for social historians and literary critics.
  • Q: How should I store this book? A: Store this book in a cool, dry place away from direct sunlight. This will help preserve its quality over time.
  • Q: Can I clean this book? A: Yes, you can clean this book gently. Use a soft, dry cloth to remove dust without damaging the pages.
  • Q: Is this book easy to read? A: Yes, this book is written in an accessible style. It is suitable for both casual readers and serious scholars.
  • Q: Is there any adult content in this book? A: No, this book does not contain adult content. It focuses on historical analysis and art critique.
  • Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for a replacement or refund. Most sellers have a return policy in place.
  • Q: Can I return this book if I don't like it? A: Yes, you can typically return this book if it is in new condition. Check the seller's return policy for details.
  • Q: What if I have questions about the content of the book? A: If you have questions about the content, consider reaching out to book clubs or online forums. They can provide discussions and insights.
  • Q: Is this book suitable for beginners in art history? A: Yes, this book is suitable for beginners. It offers clear explanations of complex themes in art history.
  • Q: How does this book compare to others in the same genre? A: This book is unique because it focuses specifically on the rural poor in English painting. It offers a fresh perspective compared to other art history books.

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