The Documentary Film Reader: History, Theory, Criticism,Used

The Documentary Film Reader: History, Theory, Criticism,Used

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Bringing together an expansive range of writing by scholars, critics, historians, and filmmakers, The Documentary Film Reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. Each of the book's seven sections covers a distinct period in the history of documentary, collecting both contemporary and retrospective views of filmmaking in the era. And each section is prefaced by an introductory essay that explains its design and provides critical context. Painstakingly selected from the archives of more than a hundred years of cinema practice and theory, the essays, reviews, interviews, manifestos, and ephemera gathered in this volume suit the needs and interests of the beginning student, the advanced scholar, the casual reader, and the working documentarian.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: How many pages are in 'The Documentary Film Reader'? A: This book contains one thousand fifty-six pages. It offers a comprehensive collection of writings on documentary film.
  • Q: What is the binding type of this book? A: The binding type is paperback. This makes it flexible and lightweight, ideal for casual reading.
  • Q: What are the dimensions of 'The Documentary Film Reader'? A: The dimensions are nine point nine inches in length, seven point zero one inches in width, and one point nine inches in height. These measurements make it a manageable size for reading.
  • Q: Who is the author of this book? A: The author is Jonathan Kahana. He brings a scholarly perspective to the critical discourse surrounding documentary films.
  • Q: What category does this book fall under? A: It falls under the category of Film & Video Art. This classification reflects its focus on documentary filmmaking.
  • Q: How can I use 'The Documentary Film Reader' for my studies? A: You can use this book as a resource for understanding documentary history and theory. It's suitable for both beginners and advanced scholars.
  • Q: Is this book suitable for casual readers? A: Yes, it is suitable for casual readers. The essays and critiques are accessible while still providing depth and insight.
  • Q: What level of understanding is required to read this book? A: No specific level of understanding is required. The book caters to a wide audience, from students to professionals in the field.
  • Q: Can this book be beneficial for documentary filmmakers? A: Yes, it can be beneficial for working documentarians. It offers insights and critiques that can inform their practice.
  • Q: How should I store 'The Documentary Film Reader' to keep it in good condition? A: Store it in a cool, dry place away from direct sunlight. This will help preserve the quality of the paperback binding.
  • Q: Are there any specific care instructions for this book? A: There are no specific care instructions. However, handling it carefully will prevent wear and tear over time.
  • Q: What should I do if this book arrives damaged? A: If it arrives damaged, you should contact the seller for a return or replacement. Most retailers have policies for damaged items.
  • Q: Is there a warranty for 'The Documentary Film Reader'? A: No, there is typically no warranty for books. However, return policies may cover issues with the product.
  • Q: How does this book compare to other documentary film texts? A: This book offers a unique international perspective and spans several decades of critical writing, making it distinct from many others.
  • Q: Who would benefit the most from reading this book? A: Students, scholars, casual readers, and documentary filmmakers would all benefit from its diverse range of essays and critiques.

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