The Imaginary Museum Of Musical Works: An Essay In The Philosophy Of Music

The Imaginary Museum Of Musical Works: An Essay In The Philosophy Of Music

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SKU: SONG0198235410
UPC: 9780198235415
Brand: Oxford University Press
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What Is The Difference Between A Performance Of Beethoven'S Fifth Symphony And The Symphony Itself? What Does It Mean For Musicians To Be Faithful To The Works They Perform? To Answer This Question, Goehr Combines Philosophical And Historical Methods Of Enquiry. She Describes How The Concept Of A Musical Work Emerged As Late As 1800, And How It Subsequently Defined The Norms, Expectations, And Behavior Characteristic Of Classical Musical Practice. Out Of The Historical Thesis, Goehr Draws Philosophical Conclusions About The Normative Functions Of Concepts And Ideals. She Also Addresses Current Debates Amongst Conductors, Earlymusic Performers, And Avantgardists.

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  • Q: How many pages does this book have? A: This book has three hundred twenty-four pages. It's a comprehensive exploration of the philosophy of music.
  • Q: What are the dimensions of this book? A: The dimensions of this book are eight point five inches in length, one inch in width, and eight point seventy-five inches in height.
  • Q: What type of binding does this book have? A: This book features a hardcover binding. This provides durability and a more premium feel compared to paperback options.
  • Q: Who is the author of this book? A: The author of this book is Lydia Goehr. She is known for her works in the philosophy of music.
  • Q: What category does this book fall under? A: This book is categorized under History and Criticism. It delves into philosophical discussions about musical works.
  • Q: Is this book suitable for beginners? A: Yes, this book is suitable for beginners. It presents complex philosophical ideas in an accessible way.
  • Q: What themes are covered in this book? A: This book covers themes such as the nature of musical works and the relationship between performance and composition.
  • Q: Can this book be used as a textbook? A: Yes, this book can be used as a textbook. It is ideal for students studying music philosophy or music history.
  • Q: Is there any specific audience for this book? A: Yes, the book is targeted towards music scholars, students, and enthusiasts interested in philosophical questions about music.
  • Q: How should I store this book? A: Store this book in a cool, dry place away from direct sunlight. This will help preserve the cover and pages.
  • Q: Can I clean the cover of this book? A: Yes, you can clean the cover. Use a soft, dry cloth to gently wipe off any dust or smudges.
  • Q: Does this book have any safety warnings? A: No, this book does not have any safety warnings. It contains no hazardous materials or content.
  • Q: What should I do if the book arrives damaged? A: If the book arrives damaged, contact the seller for return options. Most sellers will offer a replacement or refund.
  • Q: Is there a return policy for this book? A: Yes, there is typically a return policy. Check with the seller for specific details regarding returns.
  • Q: What if I have questions about the content of this book? A: If you have questions about the content, consider reaching out to academic forums or book clubs focused on philosophy of music.

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