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The Integrated News Spectacle: A Political Economy Of Cultural Performance
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The Integrated News Spectacle Examines The Rational Organization Of Control Of Popular News Forms. It Uses Spectacular Media Events Such As The Mourning Of Princess Diana, The Monica Lewinsky Presidential Scandal, And The Gulf Wars Of 1991 And 2003 As Entry Points Into A Discussion Of The Broader Context Surrounding An Integrated System Of Commodity Production, Distribution And Exchange.James R. Compton Critiques The Generally Accepted Notion Of Tabloidization Associated With Media Spectacles, And Situates These Dramatic Narratives Within A Broad Historical Context. Drawing On The Work Of Guy Debord, David Harvey, And Pierre Bourdieu, This Book Explains How The Power Relationships Associated With Media Events Can Best Be Comprehended By Revealing The Practical Application Of The Logic Of Spectacle A Logic Characterized By The Transposable Circulation And Promotion Of Cultural Commodities.
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- Q: What is the main focus of 'The Integrated News Spectacle'? A: 'The Integrated News Spectacle' examines how popular news is controlled and organized, using significant media events as case studies to discuss broader economic and cultural implications.
- Q: Who is the author of this book? A: The book is authored by James Robert Compton, who critiques media spectacles and their societal impacts.
- Q: What is the publication date of 'The Integrated News Spectacle'? A: The book was published on June 1, 2004.
- Q: How many pages does the book have? A: 'The Integrated News Spectacle' contains 275 pages.
- Q: What type of binding does this book have? A: The book is available in paperback binding.
- Q: What category does this book fall under? A: 'The Integrated News Spectacle' is categorized under Communications.
- Q: Is there any edition information for this book? A: Yes, this book is published in its first edition.
- Q: What are some themes explored in the book? A: The book explores themes like tabloidization, media events, and the logic of spectacle in relation to cultural commodities.
- Q: Does this book include any theoretical frameworks? A: Yes, it draws on the works of notable theorists such as Guy Debord, David Harvey, and Pierre Bourdieu.
- Q: What type of discussions can I expect from reading this book? A: Readers can expect discussions on the relationship between media events and power dynamics, as well as the historical context of media spectacles.