Title
The Journals Of Grace Hartigan, 19511955,New
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Grace Hartigan Emerged During The 1950S As A Leading Representative Of The 'Second Generation' Of The New York School Of Abstract Expressionist Painters, A Movement That Achieved International Standing For American Art. In 1958, Hartigan Was The Only Woman And One Of Only Two Artists Under Forty Chosen By The Museum Of Modern Art For A Show On That School. Entitled The New American Painting, The Show Traveled To Eight European Countries And Included Such Artists As Willem De Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, And Mark Rothko. Published For The First Time, Hartigans Journals Offer Readers An Intimate Chronicle Of The Vibrant Artistic And Literary Milieu Of The Times. Hartigans Interactions With Many Of Its Leading Artists, And Her Close Association With Such New York School Poets As John Ashbery, Kenneth Koch, And Frank Ohara, Make For Fascinating Reading. The Only Contemporaneous Record Of This Extraordinary Period In Art History, This Book Is A Treasure To The Art Student And Literary Scholar Alike. Grace Hartigans Paintings Are Held In Museums Throughout The United States, Including The Metropolitan Museum And The Whitney Museum Of Art. Since 1965 She Has Worked At The Maryland Institute College Of Art, Where She Is The Director Of The Hoffberger Graduate School Of Painting.
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- Q: How many pages does the book have? A: This book contains two hundred thirty-six pages. It offers a comprehensive look into Grace Hartigan’s artistic journey.
- Q: What are the dimensions of the book? A: The dimensions of the book are six inches in length, nine inches in height, and zero point five one inches in width.
- Q: What is the binding type of this book? A: The book is available in paperback binding. This makes it lightweight and portable for readers.
- Q: Who is the author of this book? A: The author of this book is William T. La Moy. He provides insights into Grace Hartigan's life and work.
- Q: What category does this book fall under? A: This book falls under the category of Artists, Architects & Photographers. It explores the life of a significant artist.
- Q: What is the main theme of the book? A: The main theme of the book is the exploration of Grace Hartigan's experiences as an abstract expressionist painter. It captures her interactions with notable artists and poets.
- Q: Is this book suitable for art students? A: Yes, this book is highly suitable for art students. It provides valuable insights into art history and the New York School movement.
- Q: Can this book be a good resource for literary scholars? A: Yes, this book serves as an excellent resource for literary scholars. It chronicles Hartigan's connections with significant poets of her time.
- Q: What type of reader would enjoy this book? A: Readers interested in art history and the abstract expressionist movement will enjoy this book. It provides a unique perspective on the era.
- Q: Is there any mention of Grace Hartigan's teaching career in the book? A: Yes, the book mentions Grace Hartigan's teaching career at the Maryland Institute College of Art. It highlights her role as a director.
- Q: How can I preserve this book in good condition? A: To preserve this book, store it in a cool, dry place away from direct sunlight. Avoid bending the pages or spine.
- Q: What should I do if the book arrives damaged? A: If the book arrives damaged, contact the seller for a return or replacement. Ensure to provide details and photographs of the damage.
- Q: Does this book contain illustrations? A: No, this book primarily contains text. It focuses on Grace Hartigan's journals rather than her artwork.
- Q: Is this book part of a series? A: No, this book is not part of a series. It stands alone as an exploration of Grace Hartigan's journals.
- Q: Are there any notable artists featured in this book? A: Yes, the book features notable artists like Willem de Kooning and Jackson Pollock. It provides context for Hartigan's artistic environment.
- Q: What kind of writing style is used in the book? A: The writing style is intimate and reflective. It captures the personal thoughts of Grace Hartigan during a vibrant artistic period.