The Life And Death Of Classical Music: Featuring The 100 Best And 20 Worst Recordings Ever Made

The Life And Death Of Classical Music: Featuring The 100 Best And 20 Worst Recordings Ever Made

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In This Compulsively Readable, Fascinating, And Provocative Guide To Classical Music, Norman Lebrecht, One Of The Worlds Most Widely Read Cultural Commentators Tells The Story Of The Rise Of The Classical Recording Industry From Carusos First Notes To The Heyday Of Bernstein, Glenn Gould, Callas, And Von Karajan.Lebrecht Compellingly Demonstrates That Classical Recording Has Reached Its End Pointbut This Is Not Simply An Expos? Of Decline And Fall. It Is, For The First Time, The Full Story Of A Minor Art Form, Analyzing The Cultural Revolution Wrought By Schnabel, Toscanini, Callas, Rattle, The Three Tenors, And Charlotte Church. It Is The Story Of How Stars Were Made And Broken By The Record Business; How A War Criminal Conspired With A Concentrationcamp Victim To Create A Record Empire; And How Advancing Technology, Boardroom Wars, Public Credulity And Unscrupulous Exploitation Shaped The Musical Backdrop To Our Modern Lives. The Book Ends With A Suitable Shrine To Classical Recording: The Authors Critical Selection Of The 100 Most Important Recordingsand The 20 Most Appalling.Filled With Memorable Incidents And Unforgettable Personalitiesfrom Goddard Lieberson, Legendary Head Of Cbs Masterworks Who Signed His Letters As God; To Georg Solti, Who Turned The Chicago Symphony Into The Loudest Symphony On Earththis Is At Once The Captivating Story Of The Life And Death Of Classical Recording And An Opinioned, Insiders Guide To Appreciating The Genre, Now And For Years To Come.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: How many pages does this book have? A: This book has three hundred twenty-four pages. It provides a comprehensive look into the history of classical music recordings.
  • Q: What are the dimensions of this book? A: The dimensions of this book are five point two inches in length, zero point eight inches in width, and eight inches in height. These measurements make it a convenient size for reading.
  • Q: Is this book available in hardcover? A: No, this book is only available in paperback. The paperback binding allows for easier handling and portability.
  • Q: Who is the author of this book? A: The author of this book is Norman Lebrecht. He is a well-known cultural commentator with expertise in classical music.
  • Q: What genre does this book belong to? A: This book belongs to the History and Criticism genre. It critically examines the evolution of classical music recordings.
  • Q: Is this book suitable for beginners in classical music? A: Yes, this book is suitable for beginners. It provides an engaging overview of classical music history and notable recordings.
  • Q: What themes are explored in this book? A: This book explores themes of the rise and fall of classical music recordings, the impact of technology, and the influence of key figures in the industry.
  • Q: Can this book be used as a reference for music studies? A: Yes, this book can be used as a reference for music studies. It includes critical analyses and selections of important recordings.
  • Q: How should I store this book to keep it in good condition? A: Store this book in a cool, dry place away from direct sunlight. This will help preserve its quality and prevent fading.
  • Q: Is this book safe for children? A: Yes, this book is generally safe for children. However, it is recommended for older readers due to its complex themes.
  • Q: What should I do if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for a return or exchange. Most sellers have policies in place for damaged items.
  • Q: Does this book include any illustrations? A: No, this book does not include illustrations. It focuses on text-based analysis and critical commentary.
  • Q: Is there a glossary or index in this book? A: No, this book does not include a glossary or index. It is primarily a narrative and critical exploration of classical music.
  • Q: How can I best appreciate the content of this book? A: To appreciate the content of this book, consider listening to the recordings mentioned while reading. This will enhance your understanding of the critiques.
  • Q: What makes this book a unique read? A: This book is unique due to its in-depth analysis of classical music's recording history and its candid opinions on notable recordings.

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