Title
The Murals Of Revolutionary Nicaragua, 19791992
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In The Years Following Nicaragua'S 1979 Sandinista Revolution, More Than Three Hundred Murals Were Created By Nicaraguan And International Artist Brigades. David Kunzle Was Profoundly Moved By The Aesthetic And Political Power Of These Murals, And When He Saw That They Were Being Destroyed After The Sandinistas Were Voted Out In 1990, He Resolved To Document Them. This Visually Exciting, Emotionally Compelling Book Is The Result Of His Efforts.Today Many Of Nicaragua'S Murals Have Been Obliterated, And Kunzle'S Book May Be The Only Record Of These Works. Approximately Eighty Percent Of The Murals Are Reproduced Here, Many With Extensive Commentary. Artistic Styles From The Primitivist To The Highly Sophisticated Are Represented, Showing Themes Of Literacy, Health, Family, And Always The Revolution.Kunzle Outlines The Historical Conditions In Nicaraguaincluding U.S. Interferencethat Gave Rise To The Revolution And To The Murals. He Chronicles The Politically Vindictive Destruction Of Many Of The Best Murals And The Rise And Fall Of Managua'S Mural School. Kunzle Also Refers To Other Nicaraguan Public Media Such As Billboards And Graffiti, The Great Mural Precedent In Mexico, And The More Recent Attempts At Socialist Art In Cuba And Chile.Nicaraguan Murals Became Blackboards Of The People, A Forum For Selfimage, Selfeducation, And Popular Autobiography. Kunzle Pleads For The Restoration Of The Surviving Murals And For The Revival Of The Mural Movement, For It Is, He Says, Art That Belongs To And Benefits Us All.
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This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: How many pages are in 'The Murals of Revolutionary Nicaragua'? A: This book contains two hundred eighty-eight pages. It features extensive commentary and reproductions of many murals.
- Q: What are the dimensions of the book? A: The book measures eight and a half inches in length, eleven inches in height, and zero point five one inches in width.
- Q: What type of binding does this book have? A: This book is published in paperback format. Paperback bindings are flexible and lightweight, making them easy to handle.
- Q: Who is the author of this book? A: The author is David Kunzle. He documented the murals and the historical context surrounding them after the Sandinista Revolution.
- Q: What themes are explored in the murals featured in this book? A: The murals explore themes of literacy, health, family, and political revolution. They serve as a reflection of the social conditions in Nicaragua.
- Q: Is this book suitable for children? A: Yes, the book can be suitable for older children with an interest in history or art. Parental discretion is advised for younger readers.
- Q: How do I best appreciate the content of this book? A: Reading the book alongside viewing the murals, if possible, enhances appreciation. The commentary deepens understanding of each mural's context.
- Q: What is the reading level of this book? A: The book is suitable for teens and adults. It contains historical analysis that may be complex for younger readers.
- Q: Can this book be used for academic study? A: Yes, this book is an excellent resource for academic study on art history and political movements in Latin America. It includes extensive commentary.
- Q: How should I store this book to maintain its condition? A: Store the book upright in a cool, dry place to prevent bending or damage. Avoid direct sunlight to protect the cover and pages.
- Q: Is there any special care needed for this book? A: No special care is required beyond standard book care. Keep it away from moisture and extreme temperatures.
- Q: What should I do if the book arrives damaged? A: If the book arrives damaged, contact the seller for a return or replacement. Most sellers have policies in place for damaged goods.
- Q: What if I have questions about the content of the book? A: You can refer to academic forums or online discussions about the book. Many readers and scholars share insights and interpretations.
- Q: How does this book compare to other art history books? A: This book specifically focuses on Nicaraguan murals and their political context, offering a unique perspective compared to broader art history texts.
- Q: Is this book a good resource for learning about Nicaraguan culture? A: Yes, it provides valuable insights into Nicaraguan culture and history through its focus on art and political expression.
- Q: Are there any visual aids in this book? A: Yes, the book includes reproductions of approximately eighty percent of the murals along with extensive commentary.