Title
The Musical As Drama
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Derived From The Colorful Traditions Of Vaudeville, Burlesque, Revue, And Operetta, The Musical Has Blossomed Into America'S Most Popular Form Of Theater. Scott Mcmillin Has Developed A Fresh Aesthetic Theory Of This Underrated Art Form, Exploring The Musical As A Type Of Drama Deserving The Kind Of Critical And Theoretical Regard Given To Chekhov Or Opera. Until Recently, The Musical Has Been Considered Either An Integrated Form Of Theater Or An Inferior Sibling Of Opera. Mcmillin Demonstrates That Neither Of These Views Is Accurate, And That The Musical Holds True To The Disjunctive And Irreverent Forms Of Popular Entertainment From Which It Arose A Century Ago.Critics And Composers Have Long Held The Musical To The Standards Applied To Opera, Asserting That Each Piece Should Work Together To Create A Seamless Drama. But Mcmillin Argues That The Musical Is A Different Form Of Theater, Requiring The Suspension Of The Plot For Song. The Musical'S Success Lies Not In The Smoothness Of Unity, But In The Crackle Of Difference. While Disparate, The Dancing, Music, Dialogue, And Songs Combine To Explore Different Aspects Of The Action And The Characters.Discussing Composers And Writers Such As Rodgers And Hammerstein, Stephen Sondheim, Kander And Ebb, Leonard Bernstein, And Jerome Kern, The Musical As Drama Describes The Continuity Of This Distinctively American Dramatic Genre, From The Shows Of The 1920S And 1930S To The Musicals Of Today.
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- Q: What is the page count of 'The Musical as Drama'? A: The book has two hundred fifty-six pages. This length provides a comprehensive exploration of musicals as a unique dramatic genre.
- Q: What type of binding does this book have? A: The book is hardcover. This binding type offers durability and a premium feel, making it ideal for collectors and frequent readers.
- Q: Who is the author of 'The Musical as Drama'? A: The author is H. Scott McMillin. He provides insightful analysis and criticism of musicals, bridging traditional theater and popular entertainment.
- Q: What themes does 'The Musical as Drama' explore? A: The book discusses the musical as a distinct form of theater. It highlights its evolution from vaudeville and operetta to modern-day productions.
- Q: Is 'The Musical as Drama' suitable for academic study? A: Yes, it is suitable for academic study. The book presents a fresh aesthetic theory that is valuable for students and scholars of theater.
- Q: Is this book appropriate for children? A: Yes, this book is appropriate for children. However, it is best suited for older children who can appreciate the themes of musical theater.
- Q: How should I care for my hardcover copy of 'The Musical as Drama'? A: To care for your hardcover book, keep it in a dry place and avoid exposure to direct sunlight. This will help maintain its condition over time.
- Q: Can I return 'The Musical as Drama' if I change my mind? A: Yes, you can return the book if you change your mind. The seller offers no quibbles returns, ensuring customer satisfaction.
- Q: What is the author’s perspective on musicals? A: McMillin argues that musicals should not be held to the same standards as opera. He believes they possess unique qualities that merit their own critical approach.
- Q: Does this book discuss specific composers? A: Yes, it discusses composers like Rodgers and Hammerstein and Stephen Sondheim. These figures are key to understanding the evolution of the musical.
- Q: Is there a warranty included with the book? A: No, there is no warranty with the book. However, the seller guarantees packaging to ensure it arrives in mint condition.
- Q: What is the size of 'The Musical as Drama'? A: The book measures five point seventy-five inches in length, one inch in width, and eight point five inches in height. This size makes it easy to handle.
- Q: Are there any hazardous materials in this book? A: No, there are no hazardous materials in this book. It is safe for general reading and does not contain harmful substances.
- Q: What makes this book unique compared to others on theater? A: This book provides a fresh aesthetic theory. It challenges traditional views on musicals, highlighting their distinct form of drama.
- Q: How does 'The Musical as Drama' relate to American culture? A: The book illustrates the musical as a uniquely American art form. It connects the genre's origins to the cultural landscape of the United States.