Title
The Objective Eye: Color, Form, And Reality In The Theory Of Art,Used
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The Longer You Work, The More The Mystery Deepens Of What Appearance Is, Or How What Is Called Appearance Can Be Made In Another Medium.'Francis Bacon, Painterthis, In A Nutshell, Is The Central Problem In The Theory Of Art. It Has Fascinated Philosophers From Plato To Wittgenstein. And It Fascinates Artists And Art Historians, Who Have Always Drawn Extensively On Philosophical Ideas About Language And Representation, And On Ideas About Vision And The Visible World That Have Deep Philosophical Roots.John Hymans The Objective Eye Is A Radical Treatment Of This Problem, Deeply Informed By The History Of Philosophy And Science, But Entirely Fresh. The Questions Tackled Here Are Fundamental Ones: Is Our Experience Of Color An Illusion? How Does The Metaphysical Status Of Colors Differ From That Of Shapes? What Is The Difference Between A Picture And A Written Text? Why Are Some Pictures Said To Be More Realistic Than Others? Is It Because They Are Especially Truthful Or, On The Contrary, Because They Deceive The Eye?The Objective Eye Explores The Fundamental Concepts We Use Constantly In Our Most Innocent Thoughts And Conversations About Art, As Well As In The Most Sophisticated Art Theory. The Book Progresses From Pure Philosophy To Applied Philosophy And Ranges From The Metaphysics Of Color To Renaissance Perspective, From Anatomy In Ancient Greece To Impressionism In Nineteenthcentury France. Philosophers, Art Historians, And Students Of The Arts Will Find The Objective Eye Challenging And Absorbing.
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- Q: What is the size of 'The Objective Eye' book? A: The book measures six inches in length, zero point seventy-one inches in width, and nine point zero two inches in height.
- Q: How many pages does 'The Objective Eye' contain? A: This book contains three hundred pages, providing an in-depth exploration of its themes.
- Q: What type of binding does 'The Objective Eye' have? A: The book is available in paperback binding, making it lightweight and portable.
- Q: Who is the author of 'The Objective Eye'? A: The author of the book is John Hyman, known for his contributions to art theory and philosophy.
- Q: What is the genre of 'The Objective Eye'? A: This book falls under the Criticism genre, focusing on art theory and philosophy.
- Q: How do I approach reading 'The Objective Eye'? A: Readers should engage with the text by contemplating the philosophical questions it raises about art and perception.
- Q: Is 'The Objective Eye' suitable for beginners in art theory? A: Yes, the book is accessible to beginners, as it explains complex concepts in a clear and engaging manner.
- Q: What age group is 'The Objective Eye' recommended for? A: The book is recommended for adults and students interested in art and philosophy, due to its advanced themes.
- Q: How should I care for 'The Objective Eye' book? A: To keep the book in good condition, store it in a dry place and avoid exposing it to direct sunlight.
- Q: Can I clean the pages of 'The Objective Eye'? A: No, do not attempt to clean the pages, as moisture can damage them. Keep it away from liquids.
- Q: What if 'The Objective Eye' arrives damaged? A: If the book arrives damaged, you should contact the seller for return or replacement options.
- Q: Does 'The Objective Eye' have a warranty? A: No, books typically do not come with a warranty, but you can check the seller's return policy.
- Q: How do I return 'The Objective Eye' if needed? A: To return the book, follow the return instructions provided by the seller at the time of purchase.
- Q: Is there a specific audience for 'The Objective Eye'? A: Yes, the book is primarily targeted at art historians, philosophers, and students of the arts.
- Q: How does 'The Objective Eye' compare to other art theory books? A: Unlike many art theory books, 'The Objective Eye' combines historical insights with contemporary philosophical questions.
- Q: What are the key themes discussed in 'The Objective Eye'? A: Key themes include the nature of perception, the illusion of color, and the relationship between art and reality.