Title
The Passion of Emily Dickinson,Used
Sold by Ergodebooks, an authorized reseller.
Returns accepted within 30 days | support@ergodebooks.com
Shipping Information
- Free Standard Shipping — United States only
- Processing Time: 1–3 business days
- Estimated Delivery: 3–5 business days after dispatch
- Double-boxed, fully insured & discreetly packaged
- Tracking number sent via email once dispatched
- Orders over $250 require signature upon delivery. Taxes calculated at checkout.
Returns & Refund
Returns accepted within 30 days of delivery.
Damaged or Defective Item
Free return shipping + replacement or full refund
Wrong Item Received
Free return shipping + replacement or full refund
Change of Mind
Return shipping at customer's expense · 25% restocking fee applies
Payment Option
How tame and manageable are the emotions of our bards, how placid and literary their allusions!' complained essayist T. W. Higginson in the Atlantic Monthly in 1870. 'The American poet of passion is yet to come.' He was, of course, unaware of the great erotic love poems such as 'Wild NightsWild Nights!' and 'Struck was I, nor yet by Lightning' being privately written by his reclusive friend Emily Dickinson.In a profound new analysis of Dickinson's life and work, Judith Farr explores the desire, suffering, exultation, spiritual rapture, and intense dedication to art that characterize Dickinson's poems, and deciphers their many complex and witty references to texts and paintings of the day. In The Passion of Emily Dickinson the poet emerges, not as a cryptic protomodern or a victim of female repression, but as a cultivated midVictorian in whom the romanticism of Emerson and the American landscape painters found bold expression.Dickinson wrote two distinct cycles of love poetry, argues Farr, one for her sisterinlaw Sue and one for the mysterious 'Master,' here convincingly identified as Samuel Bowles, a friend of the family. For each of these intimates, Dickinson crafted personalized metaphoric codes drawn from her reading. Calling books her 'Kinsmen of the Shelf,' she refracted elements of Jane Eyre, Antony and Cleopatra, Tennyson's Maud, De Quincey's Confessions, and key biblical passages into her writing. And, to a previously unexplored degree, Dickinson also quoted the strategies and subject matter of popular Hudson River, Luminist, and PreRaphaelite paintings, notably Thomas Cole's Voyage of Life and Frederic Edwin Church's Heart of the Andes. Involved in the delicate process of both expressing and disguising her passion, Dickinson incorporated these sources in an original and sophisticated manner.Farr's superb readings of the poems and letters call on neglected archival material and on magazines, books, and paintings owned by the Dickinsons. Viewed as part of a finely articulated tradition of Victorian iconography, Dickinson's interest in the fate of the soul after death, her seclusion, her fascination with landscape's mystical content, her quest for honor and immortality through art, and most of all her very human passions become less enigmatic. Farr tells the story of a poet and her time.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.