The Performance of Emotion among Paxtun Women (Modern Middle East Series),Used
The Performance of Emotion among Paxtun Women (Modern Middle East Series),Used

The Performance of Emotion among Paxtun Women (Modern Middle East Series),Used

In Stock
SKU: SONG0292727569
Brand: University of Texas Press
Regular price$38.41
Quantity
Add to wishlist
Add to compare

Processing time: 1-3 days

US Orders Ships in: 3-5 days

International Orders Ships in: 8-12 days

Return Policy: 15-days return on defective items

Payment Option
Payment Methods

Help

If you have any questions, you are always welcome to contact us. We'll get back to you as soon as possible, withing 24 hours on weekdays.

Customer service

All questions about your order, return and delivery must be sent to our customer service team by e-mail at yourstore@yourdomain.com

Sale & Press

If you are interested in selling our products, need more information about our brand or wish to make a collaboration, please contact us at press@yourdomain.com

Sharing tales of misfortune is a common practice among women in many cultures. Among the Paxtun, an Islamic, Paxtospeaking group living in both Afghanistan and Pakistan, these stories of grief or sadness (gham) are a vital medium of exchange, through which relationships are formed and maintained. Indeed, as Benedicte Grima asserts in this engrossing study, performing these rituals of grief and suffering largely defines what it means to be an honorable Paxtun woman.Drawing on fieldwork conducted over the period 19781987, Grima shows how the performance of gham is the female counterpart of betterknown male obligations (such as revenge killing) that maintain family standing and honor. Her research includes both life histories ('the misfortunes which have befallen me') and illness and misfortune narratives, as well as the contexts in which these stories are normally recounted. Her access to different levels of Paxtun society provides a broad picture of how this ritual grieving is performed throughout the culture.Based on the premise that emotions are not spontaneous and involuntary, but rather culturally taught and performed, this work uses emotion to illuminate the construction of female identity in Paxtun and Islamic culture. In addition to its obvious audiences in Middle Eastern and women's studies, it will be important to everyone working in the ethnography of communication, performance analysis, and the anthropology of emotion.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

Recently Viewed