Title
The Print In The Western World: An Introductory History-used
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The Print In The Western World Is A Comprehensive History Of The Print From Its Origins In The Fifteenth Through The Late Twentieth Century. A Source Of Inspiration To Many Great Painters, Such As Titian, Rembrandt, And Manet, Printmaking Has Established Its Own Criteria Of Aesthetic Excellence As Well As Its Own Expressive Language, Both Of Which Are Explored Here. Scholars And Print Collectors Will Find In This Wellwritten And Generously Illustrated Book A Valuable Reference, Students A Lucid Survey, And Art Lovers An Informative Introduction To The History Of The Print In Europe And America.More Than 700 Illustrations, Fortynine Of Them In Color, Show The Evolution Of The Relief, Intaglio, Planographic, And Stencil Processes Through The Centuries. Giving Detailed Treatment To The Work Of Five Master Printmakersalbrecht Drer, Rembrandt Van Rijn, Francisco Goya, Pablo Picasso, And Jasper Johnsthe Book Also Discusses In Depth Numerous Other Artists, Such As Martin Schongauer, Andrea Mantegna, Hendrik Goltzius, Jacques Callot, Giovanni Battista Piranesi, William Hogarth, Honor Daumier, Edouard Manet, Paul Gauguin, Edvard Munch, Kthe Kollwitz, Max Ernst, And Andy Warhol. Although Its Primary Focus Is The Fineart Original Print, The Print In The Western World Also Addresses In Detail The Reproductive Tradition In Printmaking That Reached Its Peak In The Eighteenth Century And Touches On Book Illustrations, Posters, Political Satires, And Vernacular Prints Such As Chromolithographs.Author Linda C. Hults Emphasizes The Meaning And Historical Context Of Prints, The Consequences Of The Print'S Accessibility To Many Strata Of Society, And The Relationship Among Artist, Context, Subject Matter, And Technique. The Volume Includes A Glossary Of Basic Printmaking Terms, As Well As Full Bibliographies At The End Of Each Chapter, Giving Readers Access To A Wide Range Of Recent Scholarship On Prints.
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This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the size of the book? A: The book measures eleven point four six inches in length, eight point four four inches in width, and two point zero one inches in height.
- Q: How many pages does the book have? A: The book contains nine hundred sixty-eight pages. This extensive length provides a comprehensive overview of print history.
- Q: What type of binding does this book have? A: This book is bound in hardcover. The durable binding makes it suitable for frequent use and preservation.
- Q: Who is the author of this book? A: The author of the book is Linda C. Hults. She provides detailed insights into the history of printmaking.
- Q: What topics does the book cover? A: The book covers the history of printmaking from the fifteenth to the late twentieth century. It explores techniques, artists, and cultural impacts.
- Q: How is the content organized in the book? A: The content is organized with bibliographies at the end of each chapter. This structure allows readers to explore topics in more depth.
- Q: Is this book suitable for art students? A: Yes, this book is very suitable for art students. It serves as a lucid survey and valuable reference for understanding print history.
- Q: Can beginners understand the material? A: Yes, beginners can understand the material. The writing is accessible and provides informative introductions to complex topics.
- Q: What is the target audience for this book? A: The target audience includes scholars, print collectors, students, and art lovers. It caters to a diverse range of interests in printmaking.
- Q: What is the focus of the book? A: The primary focus is on fine-art original prints. It also addresses reproductive traditions and various forms of print media.
- Q: How can I keep the book in good condition? A: To keep the book in good condition, store it upright in a dry environment. Avoid direct sunlight to prevent fading.
- Q: Are there any illustrations in the book? A: Yes, the book includes over seven hundred illustrations, with forty-nine in color. These visuals enhance the understanding of printmaking techniques.
- Q: Does the book include a glossary? A: Yes, the book includes a glossary of basic printmaking terms. This glossary helps readers familiarize themselves with the subject matter.
- Q: What is the historical context discussed in the book? A: The book emphasizes the meaning and historical context of prints. It examines the accessibility of printmaking to various social strata.
- Q: Can I find bibliographies in the book? A: Yes, bibliographies are included at the end of each chapter. They provide access to a wide range of recent scholarship on prints.
- Q: Is the book focused on European print history? A: Yes, the book primarily focuses on the history of print in Europe and America. It details significant artists and movements in these regions.