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The Printed Picture,New
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The Printed Picture Traces The Changing Technology Of Picturemaking From The Renaissance To The Present, Focusing On The Vital Role Of Images In Multiple Copies. The Book Surveys Printing Techniques Before The Invention Of Photography; The Photographic Processes That Began To Appear In The Early Nineteenth Century; The Marriage Of Printing And Photography; And The Rapidly Evolving Digital Inventions Of Our Time. From Woodblocks To Chromolithographs, From Engravings To Bar Codes, From Daguerreotypes To Contemporary Color Photographs, The Book Succinctly Examines The Full Range Of Pictorial Processes. Exploring How Pictures Look By Describing How They Are Made, Author Richard Benson Reaches Fascinating And Original Conclusions About What Pictures Can Mean.Although Many Of The Techniques He Discusses Have Been Used To Create Exceptional Works Of Art, Benson Concentrates On The Typical, Everyday Pictures That Have Played And Continue To Play Such A Prominent Role In Our Lives. In Conjunction With The Publication Of The Book, An Educational Installation Of This Material Will Be Presented In The Photography Galleries At The Museum Of Modern Art, New York In The Fall Of 2008.Presented As A Series Of Onepage Essays Opposite The Pictures They Examine, The Book Retains The Lively, Engaging Style Of The Informal Lectures Through Which Benson Developed His Ideas Over The Course Of 30 Years At Yale University. Rooted In Handson Descriptions Of Practical Techniques, The Printed Picture Offers A Rich And Imaginative Interpretation Of The Enormous Cultural And Social Influence Of Multiple Images.Richard Benson Is A Macarthur Fellow And The Former Dean Of The Yale School Of Art. A Photographer, Printer And Collector, He Has Devoted A Considerable Part Of His Career To Research In Photomechanical Reproduction. As A Printer Benson Was Instrumental In Developing The Technologies Presently Used In The Industry To Reproduce Photographs In Ink. He Has Taught Many Workshops And Given Many Lectures On Photography, Printing And Their Associated Technologies. He Is The Coauthor Of Lay This Laurel (Eakins Press) With Lincoln Kirstein And A Maritime Album (The Mariner'S Museum Of Newport News, Virginia) With John Szarkowski. His Photographic Work Is In The Collections Of The Museum Of Modern Art And The Metropolitan Museum Of Art In New York City, The Yale University Art Gallery, New Haven And Many Other Institutions And Private Collections.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What are the dimensions of 'The Printed Picture'? A: The book measures seven point ninety-nine inches in length, one point eighteen inches in width, and ten point fifty-one inches in height. These dimensions make it a suitable size for both display and reading.
- Q: How many pages does 'The Printed Picture' have? A: The book contains three hundred eight pages. This length allows for an in-depth exploration of its subject matter.
- Q: What type of binding does 'The Printed Picture' have? A: This book is bound in hardcover. Hardcover bindings are known for their durability and ability to withstand frequent handling.
- Q: Who is the author of 'The Printed Picture'? A: The author is Richard Benson. He is a recognized photographer and educator with a significant background in printing technologies.
- Q: What is the main theme of 'The Printed Picture'? A: The main theme revolves around the evolution of picture-making technologies from the Renaissance to modern times. It emphasizes the cultural impact of images in everyday life.
- Q: Is 'The Printed Picture' suitable for beginners in art history? A: Yes, the book is accessible for beginners. Its engaging style makes complex topics understandable for those new to art history.
- Q: How does 'The Printed Picture' approach its themes? A: The book presents its themes through a series of one-page essays paired with illustrations. This format enhances understanding of the discussed printing techniques.
- Q: Is 'The Printed Picture' appropriate for children? A: No, this book is primarily aimed at adults and art enthusiasts. Its content is more suited for those with an interest in art history.
- Q: What is the focus of the essays in 'The Printed Picture'? A: The essays focus on various printing techniques and their historical significance. Each essay is designed to provide insights into the creation and meaning of images.
- Q: How should I care for 'The Printed Picture'? A: To care for the book, store it upright in a cool, dry place. Avoid exposure to direct sunlight to preserve the integrity of the pages and binding.
- Q: Can I return 'The Printed Picture' if I'm not satisfied? A: Yes, you can return the book within a specified return window if you're not satisfied. Always check the return policy for details.
- Q: What if 'The Printed Picture' arrives damaged? A: If the book arrives damaged, you should contact customer service for a replacement or refund. Keep all packaging for reference.
- Q: Is there a warranty on 'The Printed Picture'? A: No, books typically do not come with a warranty. However, you can return it if there are issues upon delivery.
- Q: What kind of illustrations are in 'The Printed Picture'? A: The book includes numerous colour illustrations that visually complement the text and enhance the reader's understanding of the printing processes discussed.
- Q: Does 'The Printed Picture' include any practical techniques? A: Yes, the book offers practical descriptions of various printing techniques throughout history. This adds a hands-on element to the theoretical discussions.