Title
The Reception Of Bach'S Organ Works From Mendelssohn To Brahms
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In This Penetrating Study, Russell Stinson Explores How Four Of The Greatest Composers Of The Nineteenth Centuryfelix Mendelssohn, Robert Schumann, Franz Liszt, And Johannes Brahmsresponded To The Model Of Bach'S Organ Music. The Author Shows That This Quadrumvirate Not Only Borrowed From Bach'S Organ Works In Creating Their Own Masterpieces, Whether For Keyboard, Voice, Orchestra, Or Chamber Ensemble, But That They Also Reacted Significantly To The Music As Performers, Editors, Theorists, And Teachers. Furthermore, The Book Reveals How These Four Titans Influenced One Another As Receptors Of This Repertory And How Their Mutual Acquaintancesespecially Clara Schumanncontributed As Well.As The First Comprehensive Discussion Of This Topic Ever Attempted, Stinson'S Book Represents A Major Step Forward In The Literature On The Socalled Bach Revival. He Considers Biographical As Well As Musical Evidence To Arrive At A Host Of New And Sometimes Startling Conclusions. Filled With Fascinating Anecdotes, The Study Also Includes Detailed Observations On How These Composers Annotated Their Personal Copies Of Bach'S Organ Works.Stinson'S Book Is Entirely Uptodate And Offers Much Material Previously Unavailable In English. It Is Meticulously Annotated And Indexed, And It Features Numerous Musical Examples And Facsimile Plates As Well As An Exhaustive Bibliography. Included In An Appendix Is Brahms'S Hitherto Unpublished Study Score Of The Fantasy In G Major, Bwv 572. Engagingly Written, This Study Should Be Read By Anyone At All Interested In The Music Of Bach Or The Music Of The Nineteenth Century.
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- Q: What is the main focus of 'The Reception of Bach's Organ Works from Mendelssohn to Brahms'? A: The book explores how composers Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms responded to Bach's organ music, analyzing their influences and interactions with his works.
- Q: Who is the author of this book? A: The book is authored by Russell Stinson, a musicologist with a focus on historical music studies.
- Q: What kind of evidence does Russell Stinson use in the book? A: Stinson uses both biographical and musical evidence to support his analysis, providing new insights into the composers' relationships with Bach's music.
- Q: Is this book suitable for someone interested in music history? A: Yes, this book is ideal for those interested in music history, particularly the reception of Bach's works in the 19th century.
- Q: What is included in the book's appendix? A: The appendix features Brahms's unpublished study score of the Fantasy in G Major, BWV 572, offering rare insight into his interpretation of Bach's music.
- Q: How many pages does the book have? A: The book contains 240 pages, providing a comprehensive discussion on the topic.
- Q: What type of binding does this book have? A: This book is available in paperback binding, making it accessible and easy to handle.
- Q: When was 'The Reception of Bach's Organ Works from Mendelssohn to Brahms' published? A: The book was published on April 13, 2010.
- Q: Does the book contain musical examples? A: Yes, the book features numerous musical examples and facsimile plates that illustrate the discussed concepts.
- Q: Is this book recommended for educators or students? A: Yes, the meticulous annotations and extensive bibliography make it a valuable resource for both educators and students studying music history.