Title
The Reception Of Bach'S Organ Works From Mendelssohn To Brahms
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In This Penetrating Study, Russell Stinson Explores How Four Of The Greatest Composers Of The Nineteenth Centuryfelix Mendelssohn, Robert Schumann, Franz Liszt, And Johannes Brahmsresponded To The Model Of Bach'S Organ Music. The Author Shows That This Quadrumvirate Not Only Borrowed From Bach'S Organ Works In Creating Their Own Masterpieces, Whether For Keyboard, Voice, Orchestra, Or Chamber Ensemble, But That They Also Reacted Significantly To The Music As Performers, Editors, Theorists, And Teachers. Furthermore, The Book Reveals How These Four Titans Influenced One Another As Receptors Of This Repertory And How Their Mutual Acquaintancesespecially Clara Schumanncontributed As Well.As The First Comprehensive Discussion Of This Topic Ever Attempted, Stinson'S Book Represents A Major Step Forward In The Literature On The Socalled Bach Revival. He Considers Biographical As Well As Musical Evidence To Arrive At A Host Of New And Sometimes Startling Conclusions. Filled With Fascinating Anecdotes, The Study Also Includes Detailed Observations On How These Composers Annotated Their Personal Copies Of Bach'S Organ Works.Stinson'S Book Is Entirely Uptodate And Offers Much Material Previously Unavailable In English. It Is Meticulously Annotated And Indexed, And It Features Numerous Musical Examples And Facsimile Plates As Well As An Exhaustive Bibliography. Included In An Appendix Is Brahms'S Hitherto Unpublished Study Score Of The Fantasy In G Major, Bwv 572. Engagingly Written, This Study Should Be Read By Anyone At All Interested In The Music Of Bach Or The Music Of The Nineteenth Century.
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- Q: What is the page count of the book? A: The book contains two hundred forty pages. This length provides an in-depth exploration of the subject matter.
- Q: What are the dimensions of the book? A: The book measures nine point twenty-one inches in length, zero point fifty-five inches in width, and nine point thirteen inches in height. These dimensions make it a suitable size for easy handling.
- Q: What type of binding does the book have? A: The book is paperback bound. This binding type is lightweight and flexible, making it easy to carry.
- Q: How should I read and engage with this book? A: You can read this book at your own pace, as it is suitable for anyone interested in music history. It is designed for both casual readers and scholars.
- Q: Is this book appropriate for all ages? A: Yes, the book is suitable for all ages. It provides valuable insights into Bach's influence on nineteenth-century composers.
- Q: Are there any specific themes covered in the book? A: Yes, the book covers themes such as the reception of Bach's music, the influence of Mendelssohn, Schumann, Liszt, and Brahms, and the personal annotations of these composers. This makes it rich in historical context.
- Q: How should I store this book to keep it in good condition? A: Store the book in a cool, dry place away from direct sunlight. This will help preserve the binding and pages over time.
- Q: What should I do if the book is damaged upon arrival? A: If the book arrives damaged, contact the seller for a return or replacement. Most sellers have policies in place to address such issues.
- Q: Can I find this book in libraries? A: Yes, this book may be available in libraries. Check your local library's catalog or request it through interlibrary loan.
- Q: Is there an index included in the book? A: Yes, the book includes a detailed index. This feature helps readers locate specific topics or composers easily.
- Q: Does the book include musical examples? A: Yes, the book features numerous musical examples. These examples enhance the reader's understanding of the discussed concepts.
- Q: Is there an appendix in the book? A: Yes, the book includes an appendix with Brahms's unpublished study score of the Fantasy in G Major, BWV 572. This adds significant value to the text.
- Q: Who is the author of the book? A: The book is authored by Russell Stinson. He is known for his expertise in music history and criticism.
- Q: What type of reader would benefit from this book? A: Anyone interested in music history, particularly the works of Bach and his influence on later composers, will benefit from this book. It appeals to scholars and general readers alike.
- Q: Does the book provide insights into Clara Schumann's influence? A: Yes, the book discusses Clara Schumann's role as a mutual acquaintance among the composers. Her influence is highlighted throughout the text.