Title
The Renaissance Portrait: From Donatello to Bellini,Used
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In the words of cultural historian Jacob Burkhardt, fifteenthcentury Italy was 'the place where the notion of the individual was born.' In keeping with that idea, early Renaissance Italy was a key participant in the first great age of portraiture in Europe. As groundbreaking artists strove to evoke the identity or personality of their sittersfrom heads of state and church, military commanders, and wealthy patrons to scholars, poets, and artiststhey evolved daring new representational strategies that would profoundly influence the course of Western art. More than a mere likeness, the fifteenthcentury Italian portrait was an attempt to wrest from the unpredictability of life and the shadow of mortality and image that could be passed down to future generations.The Renaissance Portrait, which accompanies a landmark exhibition at the BodeMuseum, Berlin, and The Metropolitan Museum of Art, New York, provides new research and insight into the early history of portraiture in Italy, examining in detail how its major art centersFlorence, the princely courts, and Venicesaw the rapid development of portraiture as closely linked to Renaissance society and politics, ideas of the individual, and concepts of beauty. Essays by leading scholars provide a thorough introduction to Renaissance portraiture, while individual catalogue entries illustrate and extensively discuss more than 160 magnificent examples of painting, drawing, manuscript illumination, sculpture, and medallic portraiture by such artists as Donatello, Filippo Lippi, Botticelli, Verrocchio, Ghirlandaio, Pisanello, Mantegna, Antonello da Messina, and Giovanni Bellini. With abundant style and visual ingenuity, these masters transformed the plain facts of observation into something beautiful to behold.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:Bode Museum, Berlin(08/25/1111/20/11)The Metropolitan Museum of Art(12/21/1103/18/12)
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- Q: What is the main theme of 'The Renaissance Portrait: From Donatello to Bellini'? A: The main theme of the book revolves around the evolution of portraiture in early Renaissance Italy, highlighting how artists like Donatello and Bellini captured the individuality and personality of their subjects.
- Q: Who is the author of this book? A: The book is authored by Keith Christiansen, a noted scholar in the field of art history.
- Q: How many pages does the book contain? A: The book contains a total of 420 pages, providing extensive insights into Renaissance portraiture.
- Q: What type of binding does this book have? A: This book is bound in hardcover, ensuring durability and a premium feel.
- Q: When was 'The Renaissance Portrait' published? A: The book was published on November 29, 2011.
- Q: Is there an exhibition associated with this book? A: Yes, the book accompanies a landmark exhibition held at the Bode Museum in Berlin and The Metropolitan Museum of Art in New York.
- Q: What kind of artworks are featured in the book? A: The book features a variety of artworks, including paintings, drawings, manuscript illuminations, sculptures, and medallic portraiture, showcasing works by renowned artists of the Renaissance.
- Q: Does the book include essays from other scholars? A: Yes, the book includes essays by leading scholars that provide a thorough introduction to the context and significance of Renaissance portraiture.
- Q: What is the significance of portraiture in Renaissance society? A: Portraiture during the Renaissance was significant as it was closely linked to ideas of individuality, societal status, and the representation of beauty in a changing cultural landscape.
- Q: Can I find details about specific artists in the book? A: Yes, the book includes individual catalogue entries that extensively discuss over 160 examples from various artists, including Donatello, Botticelli, and Giovanni Bellini.