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Sir Richard Rodney Bennett (b. 1936) is one of Britains most versatile and celebrated composers of the twentiethcentury. It is guitarists great fortune that he has written two works for the solo guitar. He composed Impromptus in 1968 to prepare him for writing a guitar concerto for the English guitarist, Julian Bream, and he later composed the Sonata in 1983 as a personal exercise to see how far he could expand upon what he had already set forth in the Impromptus. This book presents a study of the two solo guitar works of Sir Richard Rodney Bennett. This study offers a brief survey of previous writings on the two works, the reception of each work, an exploration of his musical language and style, and a discussion of the influences on his style. It also offers an in depth theoretical analysis of Bennett's use of twelvetone serialism in the Impromptus, and how he departs from strict serialism in the Sonata. In addition to exploring precompositional techniques, this study presents analysis of form for each movement and the phrase structures in both pieces. It also brings to light some errata discovered in the Impromptus.
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