Title
The Sound Studies Reader,Used
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The Sound Studies Reader blends recent work that selfconsciously describes itself as sound studies along with earlier and lesserknown scholarship on sound from across the humanities and social sciences. The Sound Studies Reader touches on key themes like noise and silence; architecture, acoustics and space; media and reproducibility; listening, voices and disability; culture, community, power and difference; and shifts in the form and meaning of sound across cultures, contexts and centuries. Writers reflect on crucial historical moments, difficult definitions, and competing accounts of the role of sound in culture and everyday life. Across the essays, readers will gain a sense of the range and history of key debates and discussions in sound studies.The collection begins with an introduction to welcome novice readers to the field and acquaint them the main issues in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in sound studies make this an original and accessible guide to the field.Contributors: Rick Altman, Jacques Attali, Roland Barthes, Jody Berland, Karin Bijsterveld, Barry Blesser, Georgina Born, Michael Bull, Adriana Cavarero, Michel Chion, Kate Crawford, Richard Cullen Rath, Jacques Derrida, Mladen Dolar, John Durham Peters, Kodwo Eshun, Frantz Fanon, Lisa Gitelman, Gerard Goggin, Steve Goodman, Stefan Helmreich, Michelle Hilmes, Charles Hirschkind, Shuhei Hosokawa, Don Ihde, Douglas Kahn, Friedrich Kittler, Brandon LaBelle, James Lastra, Richard Leppert, Michle Martin, Louise Meintjes, Mara Mills, John Mowitt, R. Murray Schafer, Ana Mara Ochoa Gautier, John Picker, Benjamin Piekut, Trevor Pinch, Tara Rodgers, LindaRuth Salter, Jacob Smith, Jason Stanyek, Jonathan Sterne, Emily Thompson, Frank Trocco, Michael Veal, Alexander Weheliye
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- Q: What topics are covered in The Sound Studies Reader? A: The Sound Studies Reader explores various themes including noise and silence, architecture and acoustics, media reproduction, listening and voices, culture and community, and the evolving meanings of sound across different contexts and cultures.
- Q: Who are some of the contributors to The Sound Studies Reader? A: The book features contributions from notable scholars such as Rick Altman, Jacques Attali, Roland Barthes, and many others, providing a diverse range of perspectives in sound studies.
- Q: Is The Sound Studies Reader suitable for beginners? A: Yes, the collection includes an introduction that welcomes novice readers and outlines the main issues in sound studies, making it accessible for those new to the field.
- Q: What is the binding type of The Sound Studies Reader? A: The Sound Studies Reader is available in paperback binding, offering a flexible and lightweight option for readers.
- Q: When was The Sound Studies Reader published? A: The Sound Studies Reader was published on June 21, 2012.
- Q: How many pages does The Sound Studies Reader have? A: The book contains a total of 576 pages.
- Q: What is the condition of the book? A: The Sound Studies Reader is available as a new book, ensuring it is in excellent condition for readers.
- Q: What makes The Sound Studies Reader a valuable resource? A: The reader compiles both recent and historical scholarship on sound, offering a comprehensive bibliography for further reading, thus serving as an original and accessible guide to the field.
- Q: Are there any specific sections in The Sound Studies Reader? A: Yes, the book includes individual section introductions that provide additional background on the essays, enhancing the reader's understanding of the content.
- Q: What is the main focus of The Sound Studies Reader? A: The main focus of the book is to present key debates and discussions in sound studies, reflecting on the role of sound in culture and everyday life.