Title
The Strange Case Of William Mumler, Spirit Photographer
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In The Midnineteenth Century Spiritualism Drew Thousands Of People From Established Churches Into Darkened Rooms Where A Medium, Often A Friend Or Neighbor, Put Them In Touch With The Spirits Of Their Dear Departed. One Byproduct Of This Fascination With The Spirit World Was Spirit Photography, In Which The Ghost Appeared Standing Behind Or Floating Over The Person Sitting For The Picture. Kaplan (History And Theory Of Photography, University Of Toronto) Has Gathered The Documentation For The Trial Of One Such Photographer, William Mumler, Who Was Tried For Fraud In New York After A Successful Career In Spirit Photography. Using The Trial Records, Mumler'S Autobiography, Newspaper Accounts (Including Tabloids) And An Article By P.T. Barnum, Kaplan Lets The Participants Speak For Themselves. He Puts The Events In Historical Context In The Introduction And Psychological Context In His Conclusions. By Concentrating On This One Unusual Trial, Kaplan Shows The Diversity Of Belief At The Time And The Ways In Which, Even Then, The Popular Press Could Affect Public Opinion. A Fascinating Story Made Even More So By The Use Of Original Material And Many Of The Spirit Photographs Themselves. Annotation 2009 Book News, Inc., Portland, Or (Booknews.Com)
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This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: How many pages does this book have? A: This book has two hundred eighty-eight pages. It offers a comprehensive exploration of spirit photography and William Mumler's life.
- Q: What is the binding type of this book? A: The binding type is paperback. This makes it lightweight and easy to handle for reading.
- Q: What are the dimensions of this book? A: The book measures six point fourteen inches in length, nine point twenty-five inches in height, and zero point ninety-one inches in width.
- Q: How do I read this book? A: You can read this book by simply opening it and following the text from start to finish. It's suitable for anyone interested in historical photography.
- Q: Is this book suitable for all ages? A: Yes, this book is suitable for adults and older teens interested in history and photography. It discusses themes of death and spirituality.
- Q: What genre does this book fall under? A: This book falls under the genre of historical non-fiction. It explores the intriguing story of spirit photography in America.
- Q: How do I keep this book in good condition? A: To keep this book in good condition, store it in a cool, dry place away from direct sunlight. Avoid bending the spine when reading.
- Q: Is this book safe for children? A: No, this book is not specifically aimed at children. It contains themes that may not be suitable for younger readers.
- Q: Can I highlight or write in this book? A: Yes, you can highlight or write in this book. However, it is recommended to use pencil or light ink to avoid damaging the text.
- Q: What should I do if the book arrives damaged? A: If the book arrives damaged, please contact the seller immediately for a return or exchange. Most sellers offer a warranty on their products.
- Q: How does this book compare to others about photography? A: This book offers a unique perspective on spirit photography, unlike other photography books that focus solely on technique or history.
- Q: Is there a warranty on this book? A: Typically, there is no warranty on books. However, check with the seller for their specific return policy.
- Q: What are the main themes explored in this book? A: The main themes include the intersection of science and religion, the nature of grief, and the cultural impact of spirit photography.
- Q: How long does it take to read this book? A: The time it takes to read this book varies by reader, but it typically takes about five to ten hours for an average reader.
- Q: Are there illustrations in this book? A: Yes, this book includes illustrations of Mumler's spirit photographs, enriching the reader's understanding of the topic.