Title
The Subject In Art: Portraiture And The Birth Of The Modern
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Challenging Prevailing Theories Regarding The Birth Of The Subject, Catherine M. Soussloff Argues That The Modern Subject Did Not Emerge From Psychoanalysis Or Existential Philosophy But Rather In The Theory And Practice Of Portraiture In Earlytwentiethcentury Vienna. Soussloff Traces The Development In Vienna Of An Ethics Of Representation That Emphasized Subjects As Socially And Historically Constructed Selves Who Could Only Be Understoodand Understand Themselvesin Relation To Others, Including The Portrait Painters And The Viewers. In This Beautifully Illustrated Book, She Demonstrates Both How Portrait Painters Began To Focus On The Interior Lives Of Their Subjects And How The Discipline Of Art History Developed Around The Genre Of Portraiture.Soussloff Combines A Historically Grounded Examination Of Art And Art Historical Thinking In Vienna With Subsequent Theories Of Portraiture And A Careful Historiography Of Philosophical And Psychoanalytic Approaches To Human Consciousness From Hegel To Sartre And From Freud To Lacan. She Chronicles The Emergence Of A Social Theory Of Art Among The Art Historians Of The Vienna School, Demonstrates How The Expressionist Painter Oskar Kokoschka Depicted The Jewish Subject, And Explores The Development Of Pictorialist Photography. Reflecting On The Implications Of The Visualized, Modern Subject For Textual And Linguistic Analyses Of Subjectivity, Soussloff Concludes That The Viennese Art Historians, Photographers, And Painters Will Henceforth Have To Be Recognized As Precursors To Such Betterknown Theorists Of The Subject As Sartre, Foucault, And Lacan.
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- Q: What is the page count of this book? A: This book contains one hundred ninety-two pages. It provides an in-depth exploration of portraiture and its impact on the modern subject.
- Q: What are the dimensions of this book? A: The book measures six point twenty-five inches in length, zero point fifty-one inches in width, and nine point twenty-five inches in height. These dimensions make it a convenient size for reading.
- Q: What is the binding type of this book? A: This book is available in paperback binding. Paperback editions are known for their lightweight and flexible nature.
- Q: Who is the author of this book? A: The author of this book is Catherine Soussloff. She is recognized for her scholarly contributions to art history.
- Q: What is the main theme of this book? A: The main theme revolves around portraiture and the development of the modern subject. It challenges traditional theories in art and philosophy.
- Q: What category does this book fall under? A: This book is categorized under Portraits. It delves into the historical context and significance of portraiture.
- Q: How should I read this book? A: You can read this book at your own pace. It is designed for anyone interested in art history, especially those focusing on portraiture.
- Q: Is this book suitable for beginners in art history? A: Yes, this book is suitable for beginners. It provides foundational insights into the relationship between portraiture and modern subjectivity.
- Q: What kind of illustrations are in this book? A: The book features fifty-one illustrations, with sixteen in color. These visuals enhance the understanding of the text.
- Q: How do I care for this book? A: To care for this book, store it in a cool, dry place and avoid exposure to direct sunlight. This will help preserve its condition.
- Q: Can I clean this book? A: No, it is not recommended to clean this book with liquids. Dust it gently with a soft cloth if necessary.
- Q: Is this book safe for all readers? A: Yes, this book is safe for all readers. It does not contain adult content or themes that would be unsuitable for general audiences.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for return instructions. Most sellers offer a satisfaction guarantee.
- Q: Are there any other works by Catherine Soussloff? A: Yes, Catherine Soussloff has written other scholarly works in art history. Exploring her bibliography can provide additional insights.
- Q: Is this book part of a series? A: No, this book is not part of a series. It stands alone as a significant contribution to art historical literature.