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Professor Schlueter approaches this early Shakespearean comedy as a parody of two types of Renaissance educational fiction: the lovequest story and the testoffriendship story, which by their combination show the pitfalls of highflown human ideals. A thoroughly researched, illustrated stage history reveals changing conceptions of the play, which has tempted many nineteenth and twentiethcentury directors and actors, who often fail, nevertheless, to come to terms with the plays subversive impetus.
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