Title
The Wages Of Sin: Censorship And The Fallen Woman Film, 19281942,New
Sold by Ergodebooks, an authorized reseller.
Returns accepted within 30 days | support@ergodebooks.com
Shipping Information
- Free Standard Shipping — United States only
- Processing Time: 3–5 business days
- Estimated Delivery: 6–10 business days after dispatch
- Double-boxed, fully insured & discreetly packaged
- Tracking number sent via email once dispatched
Returns & Refund
Returns accepted within 30 days of delivery.
Damaged or Defective Item
Free return shipping + replacement or full refund
Wrong Item Received
Free return shipping + replacement or full refund
Change of Mind
Return shipping at customer's expense · 25% restocking fee applies
Payment Option
The Story Of The Fallen Woman Was A Staple Of Film Melodrama In The Late 1920S And 1930S. In Traditional Plots, A Woman Commits A Sexual Transgression, Usually Adultery. She Becomes An Outcast, Often A Prostitute, Suffering Humiliations That Culminate In Her Death. In More Modern Variants, The Heroine Is A Stereotypical 'Kept Woman,' 'Gold Digger,' Or Wisecracking Shopgirl Who Uses Men To Become Rich. In The Wages Of Sin, Lea Jacobs Uses The Fallen Woman Film, Which Served As A Focal Point For Public Criticism Of The Film Industry, To Explore Hollywood'S System Of Selfcensorship And The Evolution Of The Rules Governing Representations Of Sexuality.Drawing On The Extensive Case Files Of The Motion Picture Producers And Distributors Of America (Mppda), The Industry Trade Association Responsible For Censorship, Jacobs Focuses On Six Films. Her Close Analyses Of The Easiest Way, Baby Face, Blonde Venus, Anna Karenina, Kitty Foyle, And Stella Dallas Reveal The Ideology Of Selfregulation At Work And The Social Constraints Affecting The Film Industry.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.