The Why Of Music: Dialogues In An Unexplored Region Of Appreciation,Used

Product Description The Why of Music was first published in 1969. Minnesota Archive Editions uses digital technology to make longunavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.In his many tears of teaching and writing about music Professor Ferguson has given much thought to the question of the why of music why does music affect us as it does, why are we deeply moved by some music by not by other music, what is it about music that 'sends' us, and where does it send us? In this book he explores such questions in depth and provides intriguing answers. The discussions are presented in the form of dialogues between the author and several friends.As Professor Ferguson explains, the book is intended to take the reader on a guided tour, a tour which follows, in part, the familiar roads of formal music appreciation but which leads more often into byways where, almost hidden by the brilliant Hows that line the more familiar roads, lurks the essential Why of music. He describes this Why as the fertilizing commerce between music and human experiencea portrayal, not of the tangible facts of experience, but of the concern aroused by our encounter with those facts. He explains that while avantgarde abstractionism is concerned only with music as arta concern too specialized for the general music lover to grasp and too narrow to sustain interestthe Why of enduring music lies in its endeavor to portray experience as it lives in Everyman's mind. From the Back Cover Minnesota Archive Editions uses digital technology to make longunavailable books once again accessible to scholars, students, researchers, and general readers. Rich with historical and cultural value, these works are published unaltered from the original University of Minnesota Press editions. The books offered through Minnesota Archive Editions are produced in limited quantities according to customer demand and are available through select distribution partners. About the Author Donald N. Ferguson is the author of several other books, among them, Masterworks of the Orchestral Repertiore: A Guide for Listeners and Image and Structure in Chamber Music, both published by the University of Minnesota Press. He was a professor of music at the University of Minnesota and at Macalester College and had also taught at Boston University and Montana State University.