Title
The Writing of Melancholy: Modes of Opposition in Early French Modernism,New
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Ross Chambers, an eminent critic of French literature, proposes an original theory of the development of French modernism. His work brings together practical criticism, textual theory, and historical analysis to fashion a new way of thinking about writing and reading as they intersect with history. Along the way, Chambers offers brilliant readings of texts from Madame Bovary to Les Fleurs du mal.After the failed revolution of 1848, the sense of disillusion that swept through France deeply affected the literature of the time. Chambers argues that literary melancholy and disorientation constituted a symptom of historical conditions rather than, as many other critics contend, a willful resistance to them.Enriched by careful readings of works by Flaubert, Nerval, Baudelaire, Gautier, and Hugo, this book is a subtle meditation on the powers of writing and reading and a suggestive contribution to current debates over the historical status of literary texts. Originally published in French, the book has been revised and expanded to include a new chapter on Grard de Nerval's 'Sylvie.'
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- Q: What is the page count of this book? A: This book contains two hundred fifty-six pages. It explores themes of literary melancholy and historical context in French modernism.
- Q: What type of binding does this book have? A: This book is bound in hardcover. Hardcover bindings are durable and ideal for long-term use, making it suitable for libraries.
- Q: What are the dimensions of this book? A: The book measures six and a half inches in length, one inch in width, and nine and three-quarters inches in height. These dimensions make it a manageable size for reading.
- Q: How do I read this book? A: You can read this book by simply opening it and following along the text. It is suitable for those interested in modern French literature and literary criticism.
- Q: Is this book suitable for beginners in literature? A: Yes, this book is suitable for beginners. It provides insightful perspectives on French modernism that are accessible to new readers.
- Q: What age group is this book appropriate for? A: This book is appropriate for adults and older teens. Its themes and discussions are more suited for mature readers.
- Q: How should I care for this book? A: To care for this book, keep it in a dry place away from direct sunlight. Regularly dust the cover and ensure it is stored upright.
- Q: Can I clean the pages of this book? A: No, you should not clean the pages of this book. Cleaning can damage the paper; simply handle it with clean hands.
- Q: What is the best way to store this book? A: The best way to store this book is upright on a shelf. This prevents warping and keeps the spine in good condition.
- Q: Is this book a good choice for someone studying French literature? A: Yes, this book is an excellent choice for students of French literature. It offers critical insights and analyses of significant texts.
- Q: How does this book compare to other books on French modernism? A: This book provides a unique perspective by focusing on the interplay of historical conditions and literary melancholy, distinguishing it from other texts.
- Q: Is the author of this book well-known? A: Yes, Ross Chambers is a well-respected critic in the field of French literature. His contributions to literary criticism are significant.
- Q: What topics does this book cover? A: This book covers topics such as literary melancholy, historical context, and analyses of major French literary works. It engages with texts from Flaubert to Baudelaire.
- Q: What is the publisher of this book? A: This book is published by the University of Chicago Press. This publisher is known for its scholarly works in various fields.
- Q: What languages is this book available in? A: This book is primarily published in English, with an original version published in French. It has been revised to enhance accessibility.
- Q: What themes does the author explore in this book? A: The author explores themes of opposition, disillusionment, and the intersection of writing and history within the framework of French modernism.